Clarinet Music

Clarinet Music
(Updated 15 October 2004)

This section is organized in categories. Click on a button below to jump to that category. Items are in alphabetical order by title in each category except the music category where they are listed by composer. In assigning difficulty levels based on years of study, we assume students start about age 11 or 12 and study privately. Any music grades listed are based on the US 1-6 system.

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Excerpts and Parts

	C089: Advanced Clarinet Technique - A New Approach from Great Orchestral Literature by John Gibson. JB Linear Music, 2003, SB, 59 pages. This new book uses passages from Mozart, Borodin, Brahms and other great composers to build advanced technique. They are also more than orchestral excerpt studies because they include the full musical context of the selection. The complete Marriage of Figaro Overture by Mozart is included as a bonus. A great value.	11.95
	C078: Bonade Orchestral Studies for Clarinet by Daniel Bonade. Leblanc Educational Publications, 1947, SS, 103 pages. Excerpts from many important orchestral works. Composers include, Beethoven, Bizet, Brahms Dvorak, Liszt, Mendelssohn, Moussorgski, Mozart, Rachmaninoff, Rimsky-Korsakoff, Schubert, Schumann, Strauss, Stravinsky, Tchaikovsky, Wagner, Weber, and more. Includes the second clarinet part on some excerpts.	9.50
	C153: Difficult Passages and Solos for Clarinet and Bass Clarinet Book 1 edited by Alamiro Giampieri. Ricordi, PB, 134 pages. Excerpts from the symphonic and operatic works of Beethoven, Bellini, Donizetti, Mendelssohn, Mozart, Puccini, Respighi, Rossini, Schumann, Weber and more. Click on the cover image to view the Table of Contents. Use your browser's Back button to return.	24.95
	C154: Difficult Passages and Solos for Clarinet and Bass Clarinet Book 2 edited by Alamiro Giampieri. Ricordi, PB, 134 pages. Excerpts from the symphonic and operatic works of Beethoven, Berlioz, Brahms, Liszt, Respighi, Rossini, Verdi, Wagner and more. Click on the cover image to view the Table of Contents. Use your browser's Back button to return.	31.95
	C050: The Opera Clarinetist by Ben Armato. Reed Wizard, SB, 104 pages. A collection of excerpts from the most popular operas in the repertoire by the Ben Armato, clarinetist for the Metropolitan Opera for over 35 years. It includes 23 operas from 13 composers such as Bizet: Carmen, Donizetti: Lucia di Lammermoor, Mozart: Don Giovonni, Puccini: Tosca, Verdi: Aida, etc. The second clarinet part is also included in a number of excerpts.	24.95
	C054: The Orchestral Clarinet Vol. 1 by Kalman Bloch. The Boston Music Co., SS, 42 pages. Excerpts with commentary and some suggested fingerings from Beethoven: Symphonies No. 4, No. 6, and No. 8; Mendelssohn Symphony No. 3 and Scherzo from A Midsummer Night's Dream; Rossini Semiramide Overture; Schubert Symphony No. 8; Weber Oberon Overture.	12.95
	C055: The Orchestral Clarinet Vol. 2 by Kalman Bloch. Clarion Music Assn., SS, 62 pages. Excerpts with commentary from Brahms Symphonies No. 1, No. 2, No. 3, and No. 4; Tchaikovsky Symphonies No. 4, No. 5, and No. 6; Rimsky-Korsakov Capriccio Espagnol and Scheherazade; and Stravinsky Firebird Suite and Petrouchka.	12.95
	C056: The Orchestral Clarinet Vol. 3 by Kalman Bloch. Clarion Music Assn., SS, 62 pages. Excerpts with commentary from Wagner Meistersinger, Dance of the Apprentices, Siegfried Idyll, Waldweben, Tannhauser, Venusberg Music, Lohengrin, Parsifal, Tristan and Isolde, and Siegfried's Rhine Journey; Borodin Polovetsian Dances, Prokofieff Peter and the Wolf, Strauss Don Juan, Don Quixote, Death and Transfiguration, Also Sprach Zarathustra, Ein Heldenleben, Till Eulenspiegel, Salome, and Rosenkavalier; Mussorgsky Night on Bald Mountain and Khovanshchina; Tchaikovsky Mozartiana and Francesca da Rimini; Debusy L'Apres-midi d'un Faune' and Kodaly Galanta Dances. Also includes Cadenza Studies from Rimksy Korasakov L'Coq D'or, Gershwin Rhapsody in Blue, and Ravel Rapsodie Espagnol.	12.95
	C160: The Orchestral Musician's CD-ROM Library Vol. 1 Clarinet. CD Sheet Music LLC, 2003. Complete Clarinet Parts (not just first clarinet) to 90 orchestral masterworks on CD-ROM. The composers Beethoven, Schubert, Mendelssohn, Berlioz, Weber, Rossini, Donizetti, Auber, Bellini, and Cherubini are on Volume 1. The parts are in the included Adobe Acrobat (.pdf) format and require a computer (PCs running Windows 95 and above or Macs running MAC OS 7.5 and above) and a printer to use. Click on the cover image to view the Table of Contents in Adobe Acrobat .pdf format. Use your browser's Back button to return.	19.95
	C209: The Orchestral Musician's CD-ROM Library Vol. 2 Clarinet. CD Sheet Music LLC, 2004. Complete clarinet parts (not just first clarinet) to 61 orchestral masterworks on CD-ROM in Adobe Acrobat (.pdf) format. Includes Debussy (La Mer • Prelude to the Afternoon of a Faun • Printemps • eight more), Mahler (Symphones 1-9 • Kindertotenlieder • Das Klagende Lied • four more), Bruckner (Symphonies 1-9 • Te Deum), Saint-Saëns (Carnival of the Animals • Danse Macabre • Symphony No. 3 in C Minor • Cello Concerto No. 1 in A Minor • three more), Grieg (Piano Concerto in A Minor • Peer Gynt Suite No. 1 & 2 • Symphonic Dances • Holberg Suite), Bizet (Carmen Suite No. 1 & 2 • L'Arlesienne Suite No. 1 & 2 • one more), and works by Fauré, Bruch, Busoni, and Reger. Click on the cover image to view the Table of Contents in Adobe Acrobat .pdf format. Use your browser's Back button to return.	19.95
	C228: The Orchestral Musician's CD-ROM Library Vol. 3 Clarinet. CD Sheet Music LLC, 2004. Complete clarinet parts (not just first clarinet) to 74 orchestral masterworks on CD-ROM in Adobe Acrobat (.pdf) format. Includes works by Brahms, Chabrier, Chausson, Chopin, Franck, Lalo, Liszt, Offenbach, Sarasate, Schumann, and von Suppe. Click on the cover image to view the Table of Contents in Adobe Acrobat .pdf format. Use your browser's Back button to return.	19.95
	Special Discount C229: The Orchestral Musician's CD-ROM Library Vols. 1-3 Clarinet. All three volumes of the Orchestral Musician's CD-ROM Library for Clarinet at a discounted price.	55.50
	C036: Orchestral Studies for the Eb Clarinet by Peter Hadcock. Roncorp Publications, SS, 56 pages. This unique book contains excerpts from the most important orchestral repertoire for Eb clarinet. Works are included by Berlioz, Mahler, Ravel, Shostakovich, Stravinsky and more. Also included is the full D clarinet part for Richard Strauss "Till Eulenspiegel's Merry Pranks" transposed for Eb clarinet. The annotations include suggested fingerings. Click on the cover image to view the Table of Contents. Use your browser's Back button to return.	21.95
	C042: Symphonic Repertoire for the Bass Clarinet, Volume One by Michael Drapkin, Roncorp Publications, SS, 68 pages. This is the corrected version released in early 2003. This book includes 36 excerpts selected from the standard symphonic literature, some more obscure works with noteworthy bass clarinet solos, and additional pieces that frequently appear on audition lists. Composers include Gershwin, Mahler, Rachmaninoff, Ravel, Shostakovich, Tchaikovsky and more. An number of the excerpts are in bass clef and several are for bass clarinet in A. The author recently noted, "It has been 24 years since the original release, and this reprint provided me the opportunity to make a couple of corrections, most notably the correct transposition of the bass clarinet part to the Berg Violin Concert, as well as some misspellings." Click on the cover image to view Table of Contents. Use your browser's Back button to return.	21.95
	C243: Symphonic Repertoire for the Bass Clarinet, Volume Two by Michael Drapkin. Roncorp Publications, 2004, SS, 64 pages. This new volume includes excerpts of works by Barber, Bartok, Copland, Dvorak, Mahler, Musorgsky, Prokofiev, Rachmaninoff, Schoenberg, Schuman, Shostakovich, Strauss, Stravinsky, and Walton. Click on the cover image to view Table of Contents. Use your browser's Back button to return.	21.95
	C069: Tchaikovsky Symphonies - Clarinet I. Alfred Publishing Co., SS, 94 pages. The complete Clarinet I parts for the six symphonies by Tchaikovsky. Note: The publisher is discontinuing this series and most volumes are sold out. If you are interested in this book, we suggest you buy it now.	14.95
	C043: The Working Clarinetist by Peter Hadcock. Roncorp Publications, 1999. SB, 212 pages. Peter Hadcock, the late Assistant Principal and Eb Clarinetist of the Boston Symphony Orchestra, describes this book as an attempt to put on paper what he learned during his forty-three years of playing the clarinet. The book is divided into four parts. The first part which represents three quarters of the book is annotated orchestral excerpts many of which are part of the standard audition repertoire. Part 2 covers many technical aspects of clarinet playing such as embouchure, articulation, intonation etc. Part 3 are master classes on Mozart's and Nielsen's clarinet concertos. The final section has trill and tremolo fingerings.	39.95

Master Classes

	C062: Campione on Clarinet by Carmine Campione. John Ten-Ten Publishing, Fairfield, OH, SB, 129 pages. A graduate of The Curtis Institute of Music, a member of the Cincinnati Symphony Orchestra for 37 years, and an adjunct professor of clarinet at the College-Conservatory of Music of the University of Cincinnati, the author has put in writing proven methods, solid concepts, and a successful system of clarinet playing and instruction. Subjects include embouchure, breathing and support, tonguing, finger and hand position, equipment, intonation, reeds, and more. The author explains putting the concepts taught to work in an extended chapter on the Rose 40 Studies.	34.95
	C061: The Clarinetist's Guide to Klezmer by Tom Puwalski, SB, 75 pages. This is a how to book for Clarinetists who want to learn how to perform "traditional" Klezmer. It includes 16 transcriptions of the recordings of Dave Tarras and Naftule Brandwein. Contents include: What is Traditional Klezmer?, Types of Klezmer Music, Klezmer Ornamentation, I Just Pulled the Clarinet Out of the Closet After 25 Years and Want to Play, How Can I Learn To Play Klezmer Music?, Using This Book and Musical Examples, Thoughts on Putting Together a Band, Resources, etc. Note that we also have The Book of Klezmer a recent book on klezmer history.	24.95
	C016: Clarinet Master Class by Allen Sigel. SHALL-u-mo Publications, SB, 78 pages. The clarinet teacher and former principal of the Buffalo Philharmonic has created master lessons and etudes based on six solo works by Mozart (Concerto K. 622) , Weber (Concertino and Concerto No. 2), Spohr Concertos No. 1 and No. 2), and Brahms (Sonata in F Minor Op. 120, No. 1). Lessons include such topics as stylistic features, ensemble problems, musical and technical problems, dynamics, etc. The author provides recommended fingerings throughout the text.	24.95
	C075: Jazz Clarinet by Bill Smith. Parkside Publications, 1993, SB, 139 pages. Includes an introduction to the special harmonies and rhythms of jazz music; 72 exercises in all keys and many rhythms to illustrate many of the special techniques of jazz; 3 blues trios; 3 twelve-tone trios and 16 jazz duets; solos on many jazz standards, including Giant Steps, Cherokee, What Is This Thing Called Love?, I Got Rhythm, Half Nelson, Someday My Prince Will Come, All the Things You Are and Green Dolphin Street; chapters on many of the advanced techniques pioneered by Bill Smith, including amplification of the clarinet, atonal jazz, multiphonics, muted notes, etc.; and an extensive Jazz Clarinet Discography prepared by Editor Malcolm S. Harris.	29.95
	C043: The Working Clarinetist by Peter Hadcock. Roncorp Publications, 1999. SB, 212 pages. Peter Hadcock, the late Assistant Principal and Eb Clarinetist of the Boston Symphony Orchestra, describes this book as an attempt to put on paper what he learned during his forty-three years of playing the clarinet. The book is divided into four parts. The first part which represents three quarters of the book is annotated orchestral excerpts many of which are part of the standard audition repertoire. Part 2 covers many technical aspects of clarinet playing such as embouchure, articulation, intonation etc. Part 3 are master classes on Mozart's and Nielsen's clarinet concertos. The final section has trill and tremolo fingerings.	39.95

Methods

	C106: Baermann Method for Clarinet Divisions 1-2 by Carl Baermann edited by Gustave Langenus. Carl Fischer, PB, 92 pages. The first two parts of the famous Baermann Method. Part one is theoretical; part two is "Preparatory Studies."	14.95
	C107: Baermann Method for Clarinet Division 3 by Carl Baermann edited by Gustave Langenus. Carl Fischer, SS, 55 pages. Part three of the Baermann Method, Daily Studies, consisting primarily of scale and chord studies.	14.95
	C157: Baermann Method for Clarinet Part 4 Op. 64 by Carl Baermann edited by Harry Bettoney. Carl Fischer, 1938, SS, 57 pages. Part four of the Baermann Method, Short Pieces. Twenty studies (many named) in seven keys with some emphasis on difficult fingerings.	17.95
	C158: Baermann Method for Clarinet Part 5 Op. 64 by Carl Baermann edited by Harry Bettoney. Carl Fischer, 1939, SS, 66 pages. Part five of the Baermann Method, Solos. Excerpts from the miscellaneous works of Baermann. Includes a fingering chart for Boehm and full Boehm clarinets.	17.95
	C143: Baermann for the Alto and Bass Clarinet adapted by William E. Rhoads. Southern Music Co., 1963, SS, 46 pages. This is an adaptation of Division 3 of Baermann Method. The editor has organized the exercises by key, adjusted the upper range (to high D), added fingering suggestions, and replaced the sixth and octave interval studies with one that exercises each interval in the scale from the second to the octave.	14.95
	C102: Complete Jazz Clarinet Book by William Bay. Mel Bay Publications, PB, 144 pages. A comprehensive study text for students beginning a serious study of jazz. The first part of the book begins by teaching elements of jazz phrasing, articulation, vibrato and interpretation of rhythms through exercises and original pieces. Next, the book encourages improvisational skills through both theoretical and technical studies of scales and chords. The second half of the book builds on the skills learned in the first part with an in-depth study of the theory, which underlies improvisational techniques including scales, modal concepts and chord construction. Ear training, particularly the development of the ability to hear chord progressions is also emphasized. Click on the cover image to view Table of Contents which is in .pdf (Adobe Acrobat) format. Use your browser's Back button to return.	12.95
	C183: Complete Method for Clarinet Vol. 1 (Méthode Complète de Clarinette) by Aurelio Magnani. Alphonse Leduc, 1946, PB, 141 pages (page size 10.5 x 16 inches). This method by Italian clarinetist Magnani (1856-1921) received the Spanish International Gold Medal in 1900. Full of useful exercises many of which have a second part. Text is in French, Italian, English and Spanish. C184: Complete Method for Clarinet Vol. 2 (Méthode Complète de Clarinette) by Aurelio Magnani. Alphonse Leduc, 1948, PB, 177 pages (page size 10.5 x 16 inches). This book is about two thirds duets (primarily Mozart and the author) with the rest being famous clarinet works. Click on the cover image to view the Table of Contents for Vol. 2. Use your browser's Back button to return.	Vol. 1 57.05 Vol. 2 65.05
	C131: Foundation Studies for Clarinet (Baermann Book 3) expanded and edited by David Hite. Southern Music Co., SS, 96 pages. David Hite has arranged the scales, arpeggios, and exercises in the Carl Baermann Method for Clarinet Book 3 in order of keys. He has also included some suggested fingerings and additional material.	14.95
	C171: Klarinetten-Schule Vol. 1A by Rudolf Jettel. Doblinger, 1949, SS, 48 pages. The first book in the trilingual (German, English, French) School for Clarinet method series by the long-time Vienna Philharmonic clarinetist. Contains a detailed introduction to musical concepts, exercises for beginners (doesn't move too fast), and a German system clarinet fingering chart.	29.95
	C173: Klarinetten-Schule Vol. 2 by Rudolf Jettel. Doblinger, 1950, PB, 85 pages. This book is primarily scale studies in all keys. Similar to Baermann Vol. 3, but with more emphasis on minor scales both harmonic and melodic. It also includes exercises based on chromatic scales and intervals.	32.95
	C145: Klosé Celebrated Method for Clarinet (Complete Edition) by Hyacinthe Klosé, revised and enlarged by Simeon Bellison. Carl Fischer, 1946, PB, 293 pages. Includes fingering chart.	26.95
	C115: Langenus Complete Method Part I by Gustave Langenus. Carl Fischer, PB, 88 pages. Includes fingering chart. C116: Langenus Complete Method Part II by Gustave Langenus. Carl Fischer, SS, 85 pages. C117: Langenus Complete Method Part III, Virtuoso Studies and Duos by Gustave Langenus. Carl Fischer, PB, 118 pages.	Part I 17.95 Part II 19.95 Part III 21.95
	C118: Lazarus Method for Clarinet Part I by Henry Lazarus revised by Simeon Bellison. Carl Fischer, PB, 139 pages. One of the famous clarinet methods. The beginning portion of the book includes The Rudiments of Music, a full fingering chart for the Boehm clarinet and, surprisingly, a table of trills for the Albert system clarinet. This book contains many duets and other pieces of music and less exercises than some other methods.	18.95
	C119: Lazarus Method for Clarinet Part II by Henry Lazarus revised by Simeon Bellison. Carl Fischer, PB, 134 pages. Continuation of Part I. Includes the 24 Albert scale studies, the first 167 Kroepsch exercises, duets, 30 etudes by Muller and more exercises by Lazarus.	22.95
	C219: Modern Course for the Clarinet Book 1 by James Collis. Henri Elkan Music Publisher, 1973, SS, 33 pages. This method moves along at good pace with a range to high C, keys of one sharp and flat, and pieces with some 16th notes by the end. Features many short pieces rather than exercises. C220: Modern Course for the Clarinet Book 2 by James Collis. Henri Elkan Music Publisher, 1960, SS, 32 pages. Introduces remaining notes need for chromatic scale, alternate fingerings. more complex rhythms, minor scales, staccato. C221: Modern Course for the Clarinet Book 3 by James Collis. Henri Elkan Music Publisher, 1963, SS, 48 pages. Continues articulation studies, introduces major and minor keys with 2 and 3 sharps or flats.	Book 1 14.95 Book 2 14.95 Book 3 14.95
	C222: Modern Course for the Clarinet Book 4 by James Collis. Henri Elkan Music Publisher, 1966, SS, 44 pages. More difficult pieces, trills, mordent, keys with 4 flats or sharps, range to altissimo E, etudes by Gariboldi, Stark, Mazas, Baermann and others. C223: Modern Course for the Clarinet Book 5 by James Collis. Henri Elkan Music Publisher, 1969, SS, 48 pages. Aside from introducing turns, this book is all etudes by Gariboldi, Nieman, Ferling, Barret, Durand, Baermann and more. Fingering suggestions are given here and in all volumes. C224: Modern Course for the Clarinet Book 6 by James Collis. Henri Elkan Music Publisher, 1972, SS, 48 pages. More etudes by Klose, Ferling, Hinke, the author and others.	Book 4 14.95 Book 5 14.95 Book 6 14.95
	C225: Modern Course for the Clarinet Scales and Arpeggios by James Collis. Henri Elkan Music Publisher, 1967, SS, 32 pages. All major and minor scales with basic exercises, major and minor melodic scales, harmonic minor scales, whole tone scales, Baermann extended major and minor scales, etc. Note: This book is out of stock while awaiting reprinting by the publisher.	14.95
	C236: Rubank Elementary Method Clarinet by N. W. Hovey. Rubank, 1933, SS, 48 pages. Famous beginning method for individual or like-instrument class instruction. Includes fingering charts for Boehm and Albert system clarinets.	5.50
	C237: Rubank Intermediate Method Clarinet by J.E. Skornicka and Robert Miller. Rubank, 1936, SS, 52 pages. A follow up course for individual or like-instrument class instruction. Introduces many techniques and concepts such as expression markings and accents, various types of articulation, grace notes, trills, scale and chord studies. A number of duets and trios are included. Fingering chart for Boehm clarinets.	5.50
	C238: Rubank Advanced Method Clarinet Vol. 1 by Wm. Gower and H. Voxman. Rubank, 1949, SS, 72 pages. This book is intended to follow any beginning or intermediate method. It includes scales and chords studies, studies in melodic interpretation (all duets), studies in articulation, fingering exercises, and ornamentation. All of the material in this books is in keys with no more than two sharps or flats. Fingering chart for Boehm clarinets.	6.95
	C239: Rubank Advanced Method Clarinet Vol. 2 by Wm. Gower and H. Voxman. Rubank, 1953, SS, 80 pages. This book covers similar material to volume 1 of the Advanced Method but in keys from three to five sharps and flats. . Fingering chart for Boehm clarinets.	6.95
	C240: Upbeate Scales & Arpeggios by Avrahm Galper. Mel Bay, 2004, SS, 72 pages. The scales in this book are based on the Baermann scale studies in Book 3 of the Baermann Method. The scales and arpeggios are arranged by key. The author starts each scale on the upbeat for impetus and melodic direction. Of particular value are the suggested fingerings for many notes, especially in the altissimo.	12.95

Music (single pieces and one composer collections in order by composer)
We have drawn on the works of Dr. Norman Heim on clarinet literature (which we now publish) for comments on some of these pieces.
The small CD covers are linked to CDs with a performance of the listed piece. (The performance could be from a different edition, especially if it is an older, public domain piece.)

	C262: Bach 15 Etudes arranged by Ulysse Delécluse. Alphonse Leduc, 1953, SS, 19 pages. Most of these studies are at a moderate difficulty level.	16.50
	C161: Bach 21 Pieces for Clarinet transcribed by Alamiro Giampieri. Ricordi, SS, 36 pages. Transcribed from Bach's cello and violin work (sources identified). Keys from three flats to three sharps.	14.95
	C060: Bach for the Clarinet transcribed and edited by Ronald L. Caravan. Ethos Publications. 1998. SS, 68 pages. This book contains selected movements from unaccompanied sonatas, partitas, and suites by J.S. Bach. The works were originally written for violin, cello, or flute. This material has been adapted for clarinet because of its extraordinary potential value for developing phrasing, a sense of style, and overall musicianship. The editor has included an explanation of how these pieces were adapted for a wind instrument.	15.00
	C210: Bach for the Clarinet Part I transcribed by Eric Simon. G. Schirmer, 1947, SS, 32 + 15 pages. The works by Bach in this book are for clarinet with piano accompaniment. There is a separate clarinet part. The book contains ten Bach chorales, and ten movements selected from Bach works for keyboard (French Suite, Well-Tempered Clavier, etc.) or orchestra. Many of the pieces in this collection are less difficult than those in our other Bach books.	10.95
	C211: Bach for the Clarinet Part II transcribed by Eric Simon. G. Schirmer, 1947, SS, 33 pages. There are ten works for solo clarinet adapted from Sonatas for unaccompanied violin in this book as well as ten clarinet duets transcribed from works for clavier.	10.95
	WW10: Johann Sebastian Bach - Six Unaccompanied Suites for Cello transcribed by Julie Ann Giacobassi. Fish Creek Music, SS, 60 pages. While this music was original transcribed for English Horn by Julie Ann Giacobassi, the English Horn player in the San Francisco Symphony, it is also suitable for oboe, clarinet and saxophone. Julie reports, "All the guys in the clarinet section here (Dave Breeden, Luis Baez and Don Carroll) are using it personally and with their students." It is also recommended by Clark Fobes.	23.95
	B27: Bach Suites for Cello Solo Transcribed for the Bassoon by Arthur Weisberg. Arthur Weisberg, 2002, SB, 67 pages. This book contains the first five of Bach's Six Suites for Solo Cello, among the greatest music ever written for a solo instrument. (The sixth was not included because of extensive use of double stops and range issues.) The transcriber provides notes on tempos, grace notes, breaths, dynamics, vibrato, trills, and repeats. While this book is well printed and easy to read, there are some pasted-in corrections. Suggested for bass clarinetists who wish to work on bass clef. Many of the pieces are playable with a low e-flat instrument and virtually all with a low c bass clarinet.	31.95
	C271: Divertimento for Clarinet and Piano by Carl Baermann edited by Sidney Forrest. Southern Music Co., 1988, SS, 11 + 3 pages. The publisher lists this as grade 3 (out of 6). It might be a bit more difficult. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	6.50
	C272: Air Varié Op. 12 No. 2 by Heinrich Baermann edited by H. Voxman and R.P. Block. Southern Music Co., 1991, SS, 12 + 4 pages. For clarinet and piano. A florid finish for this theme and variations. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	5.95
	C216: Adagio by Heinrich Baermann arranged for clarinet and piano by David Hite. Southern Music Co., 1991, SS, 6 + 2 pages. Originally for clarinet and string quartet, this piece was attributed to Richard Wagner when it was discovered in 1922. In 1964, Hans-Georg Bach revealed that it was actually the middle movement of Baermann's Clarinet Quintet, Op. 23. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	5.95
	*C258: Baermann Concerto (Quintet) for Clarinet in E-flat major Op. 23* Piano Reduction** by Heinrich Baermann edited by Harald Strebel. Schott, 1986, SS, 37 + 10 pages. This is the source of the famous Adagio shown above. The existence of ad libitum horn parts for the first and last of the three movements suggest that it can be performed either as a concerto or a quintet.	14.95
	C263: Chant Slave by J. Ed. Barat. Alphonse Leduc, 1958, SS, 4 + 2 pages. For clarinet in b-flat and piano. Early high school level. Often found on festival lists. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	11.30
	C100: Barret Four Sonatas edited by David Hite. Southern Music Company, SS, 64 pages. A.M.R. Barret Four Sonatas for the Refinement of Musicianship with the accompaniment of a second clarinet (most of the second parts are easier), Delphin Alard Five Melodious Etudes, and Scales in Thirds by David Hite.	9.95
	C247: Conversations for Two Clarinets by Richard Rodney Bennett. Universal Edition, 1965, SS, 7 pages. In score format. Should be within the capabilities of many high school clarinetists. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	10.95
	C248: Crosstalk by Richard Rodney Bennett. Universal Edition, 1967, SS, 7 pages. For two clarinets in B-flat. In score format. Frequent meter changes make this piece more difficult than Conversations for Two Clarinets. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	8.95
	C297: Sonatina for Clarinet Solo by Richard Rodney Bennett. Novello, 1981, SS, 7 pages. Three movement work dedicated to Angela Morley. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	8.95
	C251: Four Pieces for Clarinet and Piano by Alban Berg. Universal Edition, 1924, SS, 10 + 10 pages. Two complete parts in score format. Dr Heim wrote that this piece has a certain romanticism mixed with its atonality and is probably the best work in the repertoire in this style of writing. The clarinet part has flutter-tonguing and is rhythmically difficult.	19.95
	C298: Three Pieces for Clarinet Solo by Lennox Berkeley edited by Thea King. Chester Music, 1983, SS, 4 pages. The composer calls for Clarinet in A. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	11.95
	C295: Sonata for Clarinet and Piano by Leonard Bernstein. Boosey & Hawkes, 1943, SS, 20 + 7 pages. Written for David Oppenheim, this was Bernstein's first published work. College level.	19.95
	C264: Aria for Clarinet in B-flat and Piano by Eugene Bozza. Alphonse Leduc, 1936, SS, 3 + 1 pages. Brief high school level piece. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	9.90
	C265: Caprice-Improvisation for Clarinet in B-flat and Piano by Eugene Bozza. Alphonse Leduc, 1963, SS, 9 + 4 pages. Advanced college/professional level.	15.90
	C266: Fantaisie Italienne for Clarinet and Piano by Eugene Bozza. Alphonse Leduc, 1939, SS, 8 + 3 pages. A sectional, one-movement work, beginning with a cadenza, followed by a quiet 6/8 section, and ending with a brilliant Allegro. An excellent recital piece for a college level recital.	15.90
	C186: Music of Brahms for Clarinet arranged by Norman Heim. Mel Bay, 2000, SS, 54 + 23 pages. Intermediate level solos from the keyboard and solo song literature of Brahms. The music presented here is of high quality and gives the intermediate clarinetist interesting literature to perform for contest or recitals. Includes piano accompaniment and a separate pull-out solo part.	11.95
	C137: Brahms Sonata Op. 120, No. 1 for Clarinet and Piano (Harold Wright Legacy Series) edited by Ethan Sloane and Ruth Wright. Southern Music Company, SS, 40 + 12 pages. Includes notes from Harold Wright’s copy of this work.	19.95
	C138: Brahms Sonata Op. 120, No. 2 for Clarinet and Piano (Harold Wright Legacy Series) edited by Ethan Sloane and Ruth Wright. Southern Music Company, SS, 32 + 11 pages. Includes notes from Harold Wright’s copy of this work.	19.95
	C254: Burgmüller Duo for Clarinet and Piano in E-flat major by Norbert Burgmüller edited by Walter Lebermann. Schott, 1970, SS, 15 + 7 pages. Burgmüller was born into a musical family, studied with Spohr among others and was friends with Mendelssohn. The clarinet Duo dates from 1834, near the end of his short life (1810-1836).	14.95
	V02: Three Emily Dickinson Songs by Martin Butler. Oxford University Press, 1987, SS, 16 pages. This piece for soprano, clarinet, and piano was composed and first performed in 1985. It approximately 9 minutes long and is in score format. This piece requires mature performers.	16.95
	*C269: Variations sur un air du Pays d'Oc* for Clarinet and Orchestra or Piano** by Louis Cahuzac. Alphonse Leduc, 1953, SS, 12 + 7 pages. This is the edition with piano accompaniment. Upper division college level.	19.85
	C299: Sonata in B Flat for Clarinet and Piano by Arnold Cooke. Novello, 1962, SS, 43 + 12 pages. This four movement work is beautifully written for both instruments in chamber music style.The music has drive and interest for performer and listener and is an excellent recital piece for college level students and more advanced performers.	21.95
	C291: Concerto for Clarinet and String Orchestra by Aaron Copland. Boosey & Hawkes, 1950, SS, 27 + 11 pages. This is the piano reduction by the composer. Written for Benny Goodman and some portions show a jazz influence. A one movement work with several sections and an extended cadenza.	18.50
	C277: Concerto for Clarinet in B-flat major No. 3 Op. 11 by Bernhard Crusell edited by David Hite with piano reduction by Jean Knox. Southern Music Company, 1989, SS, 47 + 15 pages. May be the best work written by Crusell and is excellent recital repertoire for the professional and advanced college students.	19.95
	C285: Premiere Rhapsodie for Clarinet and Orchestra (Piano Reduction) by Claude Debussy. Durand, 1910, SS, 17 + 4 pages. One of the standards of the clarinet repertoire. Beautiful in the slow sections and brilliant in the fast part. An advanced work for both performers.	12.95
	C267: Coïncidence for Clarinet in B-flat and Piano by Pierre Max Dubois. Alphonse Leduc, 1977, SS, 14 + 7 pages. This was the contest piece for the Conservatoire National Supérieur de Musique for 1977.	20.90
	C268: Sonata Brève for Clarinet in B-flat by Pierre Max Dubois. Alphonse Leduc, 1965, SS, 7 pages. An unaccompanied, college level piece. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	11.30
	C293: Phantasy Suite Op. 91 by Thomas Dunhill. Boosey & Hawkes, 1941, SS, 18 + 7 pages. For clarinet and piano. Prof. Heim wrote: A six-movement work in conservative English style; well written. Excellent work for college student (beginning). Grade 4.	14.50
	C215: Ballade for Clarinet, Harp and String Orchestra by Eric Ewazen, edition for clarinet and piano by the composer. Southern Music Co., 2003, SS, 27 + 7 pages. This piece was composed in 1986 for Jean Kopperud. Ballade was inspired by balmy sunny weather on the shore of the Chesapeake Bay. The orchestral version is available as a rental from the publisher.	12.50
	C286: Four Short Pieces for Clarinet and Piano by Howard Ferguson. Boosey & Hawkes, 1937, SS, 11 + 4 pages. This work by British composer Ferguson (1908-1999) is typical of several small pieces that have proved popular with professional and amateur alike, and are well within the range of the average player. Four movements: Prelude, Scherzo, Pastoral, and Burlesque. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	9.50
	C287: Clarinet Concerto Op. 31 for Clarinet and String Orchestra (Piano Reduction) by Gerald Finzi. Boosey & Hawkes, 1951, SS, 34 + 10 pages. An excellent mid-twentieth century work with beautiful melodies, yet much chromaticism.	27.95
	C288: Five Bagatelles Op. 23 for Clarinet and Piano by Gerald Finzi. Boosey & Hawkes, 1945, SS, 21 + 8 pages. Wonderful writing for clarinet. The first four movements should be with in the capabilities of a good high school clarinetist, with the final movement presenting more of a challenge.	12.50
	C278: A Joyous Lament for a Gilly Flower for Clarinet and Piano by Margaret Garwood. Southern Music Co., 1983, 11 + 5 pages. Frequent meter changes. Range to altissimo F sharp.	7.50
	C276: Three Bagatelles for Clarinet Solo by Arsenio Giron. Southern Music Co., 1987, 4 pages. Dedicated to Robert Riseling. Publisher's grade 4. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	2.95
	C270: Lamento et Tarentelle for Clarinet and Piano by Gabriel Grovlez. Alphonse Leduc, 1923, SS, 8 + 3 pages. This was the contest piece for the Conservatoire National de Musique de Paris for 1923. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	16.50
	C284: Sonata for Clarinet and Piano by Paul Harvey. Southern Music Co., 1981, 31 + 12 pages. Dedicated to James Gillespie.	15.95
	C292: Sonatina for Clarinet and Piano by Bernhard Heiden. Associated Music Publishers Inc., 1957, SS, 17 + 6 pages. Bernhard Heiden (1910-2000) was born in Germany and studied composition with Hindemith who strongly influenced his work. He lived in the United States from 1935 onward and is primarily associated with the Indiana University School of Music where he taught composition for many years. The Sonatina is a three movement work: Con moto, Andante, and Vivace ma non troppo.	16.95
	C217: Sonate for Clarinet and Piano by Paul Hindemith. Schott, 1940, SS, 28 + 10 pages. Professor Norman Heim wrote that this work is a modal for sonata writing with good balance between the clarinet and piano and that it is an excellent work for all clarinetists beginning at the high school level.	19.95
	C294: Sonatine for Clarinet in A and Piano by Arthur Honegger. Salabert, 1925, SS, 11 + 4 pages. One of the great standards of the literature. A three-movement work, with the third movement highly influenced by the jazz idiom. Grade 5.	11.95
	C302: Sonatina for Clarinet and Piano by Joseph Horovitz. Novello, 1982, SS, 24 + 9 pages. This piece was written in 1981 for Gervase de Peyer who has been a fellow music student of the composer many years before. The Sonatina is a lighthearted work in three movements. It is tonal and melodically and rhythmically influenced by jazz and other popular music. It calls for equal virtuosity from both players.	21.95
	*C305: Five Pieces for Clarinet* (unaccompanied)** by Gordon Jacob. Oxford University Press, 1973, 7 pages. The title on the cover is Five Pieces for Solo Clarinet. Dedicated to Georgina Dobree. Five movements: Preamble, Waltz, Homage to J.S.B., Soliloquy, and Scherzo and Trio. An interesting and challenging piece for advanced high school and college level students. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	8.95
	C279: Scherzo Brillante for Clarinet and Piano by Paul Jeanjean revised by Daniel Bonade. Southern Music Co., SS, 15 + 4 pages. In one movement with several sections. Requires great technical facility and interval flexibility.	6.95
	V03: Hymn to the Seasons by Robert Sherlaw Johnson with words by David Whitter. Oxford University Press, 1997, SS, 28 + 11 pages. This piece for soprano, clarinet, and piano was composed in 1990 and is approximately 14 minutes long. Separate clarinet part. This piece requires mature performers.	24.95
	C273: Concerto in E-flat Op. 36 for B-flat Clarinet & Orchestra (Piano) by Franz Krommer edited by Bernard Portnoy. Southern Music Co., 1988, SS, 31 + 14 pages. This is the piano reduction. A college level concerto. This composer is also known as "Kramer-Krommer."	17.95
	C306: Dancing Solo for solo clarinet by Libby Larsen. Oxford University Press, 1994, SS, 12 pages. Commissioned and premiered by Caroline Hartig. The composer wrote, "Dancing alone—improvising with the shadows, the air, on an inner beat, upon a fleeting feeling—has always enthralled me. In Dancing Solo I am making a dance for the clarinet, a dance composed of color, rhythm, beat implied and explicit, and breath: the music is the dance and the dance is the music." Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	12.95
	C212: Fantaisie-Caprice for Clarinet and Piano by Charles Lefebvre revised by Daniel Bonade. Southern Music Co., SS, 11 + 4 pages. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	6.95
	C300: Dance Preludes for Clarinet and Piano by Witold Lutoslawski. Chester Music, 1972, SS, 19 + 7 pages. An extremely entertaining, but challenging piece. College level.	21.95
	C274: First Fantaisie for Clarinet and Piano by Georges Marty revised by Daniel Bonade. Southern Music Co., SS, 12 + 5 pages. The Paris National Conservatory contest piece written for 1897.	7.95
	C307: Sonatina for Clarinet and Piano Op. 3 by William Mathias. Oxford University Press, 1978, SS, 12 + 4 pages. Composed in 1956 and revised in 1976, this piece is dedicated to John Davies and Else Cross who gave the first public and broadcast performances. Three movements Allegretto, Lento molto cantabile, and Allegro. College level repertoire.	14.95
	C245: Mendelssohn Sonata in E-flat major for Clarinet and Piano by Felix Mendelssohn Bartholdy edited by Gerhard Allroggen. Baerenreiter, 1987, SS, 38 + 8 pages. This early work by Mendelssohn is presented with notes on the editing. This piece is suitable for third or fourth year students.	17.95
	C213: Solo de Concours for Clarinet and Piano by Andre Messager edited by Daniel Bonade. Southern Music Co., SS, 8 + 3 pages. The Paris National Conservatory contest piece written for 1899. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	5.95
	C235: Meyerbeer Quintet for Clarinet and String Quartet edited by Dieter Klöcker. Baerenreiter (BA 8731), 2001, SS. Includes score and performance parts. This quartet was found in the papers of the great-granddaughter of Heinrich Baermann. While not an autograph, the copy was inscribed in the hand of Carl Baermann that it had been composed by Giacomo Meyerbeer for his father. Editing is noted in the score or in a "Critical Report" which follows.	24.95
	*C246: Molique Concertino in F minor for Clarinet and Orchestra* (Piano Reduction)** by Bernhard Molique edited by Jost Michaels. Baerenreiter, 1970, SS, 36 + 8 pages. This piece is an effective blend of Classical and Romantic styles. Range is moderate but technical parts required a fairly advanced performer.	15.95
	*C232: Mozart Clarinet Concerto in A Major KV 622* Piano Reduction** edited by Franz Giegling with piano reduction by Martin Schelhaas. Baerenreiter (BA 4773a), 2003, SS, 43 + 15 + 15 pages. This edition contains solo parts for clarinet (in A) or basset clarinet (in A). It is based on the urtext edition in the Neue Mozart-Ausgabe. It has a new easy to play keyboard reduction and first movement fermata embellishments from early 19th century sources.	18.95
	C092: Mozart Clarinet Concerto K. 622 (Harold Wright Legacy Series) edited by Ethan Sloane and Ruth Wright. Southern Music Company, SS, 48 + 25 pages. Includes piano reduction and notes from Harold Wright’s copy of this work.	24.95
	C185: Mozart for Clarinet arranged by Norman Heim. Mel Bay, 1996, SS, 68 + 29 pages. Intermediate level solos from Mozart concertos and other works. Selections include: Romanze from Concerto No. 3 for Horn and Orchestra, Alleluia from Exsultate, Jubilate, Andante in E-flat Major for keyboard, and more. Includes piano accompaniment.	12.95
	C233: Mozart Trio in E-flat major for Clarinet, Viola and Piano KV 498 (Kegelstatt Trio) edited by Wofgang Plath and Wofgang Rehm. Baerenreiter (BA 5325), 1966 revised 1987, SS. From the Neue Mozart-Ausgabe with a preface and editorial note in Germany and English. Includes a violin part as an alternate to the clarinet.	14.95
	*C234: Mozart Quintet in A major for Clarinet and String Quartet KV 581* Performance Parts** edited by Ernst Fritz Schmid. Baerenreiter (BA 4711), 1958. Urtext edition from the Neue Mozart-Ausgabe.	16.95
	C275: Two Pieces for Solo Clarinet by Koh Okumura. Southern Music Co., 1988, SS, 4 pages. Based on the Japanese folk song music Min-yo. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	3.00
	C197: Duets for Two Clarinets (No. 1) by Ignace Pleyel arranged and edited by David Glazer. Oxford University Press, 1966, 16 pages. The editor created this and the following volume to provide (beginning) students with less difficult music from the 18th and early 19th centuries. These pieces are from the 6 Little Duets for Violin, Op. 8, Nos. 1 and 2. They are suitable for second year students with a range to B above the staff. The parts are equal and primarily in the keys of C and G, with one page of B-flat. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	3.95
	C198: Duets for Two Clarinets (No. 2) by Ignace Pleyel arranged and edited by David Glazer. Oxford University Press, 1969, 23 pages. These pieces are from the Duets for Violin, Op. 8, No. 4 and Op., 59 Nos. 4 and 1. These duets are more difficult than the previous volume and are probably suitable for third year students who can play in the altissimo (up to F) and handle more complex rhythms.	7.95
	C303: Sonata for Clarinet and Piano by Francis Poulenc. Revised edition, 2000, edited by Millan Sachania. Chester Music, 2000, SS, 24 + 11 pages. Three movements: Allegro Tristamente, Romanza, and Allegro con fuoco. Prof. Heim wrote: "Fast parts are bright and happy, and slow sections are romantic, impressionistic, and beautiful. One of the best pieces in the repertoire and can be played by an excellent high school student."	19.95
	C214: Solo de Concours for Clarinet and Piano by Henri Rabaud. Southern Music Co., SS, 9 + 4 pages. The Paris National Conservatory contest piece written for 1901. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	5.95
	C218: Sonate Op 167 for Clarinet and Piano by Camille Saint-Saëns. Durand, 1921, SS, 23 + 10 pages. Prof. Heim wrote that this is beautiful writing for clarinet with the piano primarily in accompanying role and that it is good recital literature for clarinetists from high school through professional level.	16.95
	V01: The Shepherd on the Rock (Der Hirt auf dem Felsen) by Franz Schubert. G. Schirmer, SS. For high voice and piano with clarinet (flute or violin) obbligato. This edition has the original words and an English translation. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	3.95
	C259: Sonata for Clarinet (Flute, Oboe) and Basso continuo in B-flat major by Gregorio Sciroli edited by Nikolaus Delius with Basso continuo realized by Hugo Ruf. Schott, 1990, SS. This piece includes parts for clarinet, an alternative oboe or flute part, a Basso continuo part for cello, and a score that includes an accompaniment part suitable for keyboard. This piece is one of the few examples of clarinet music of the 18th century in Italy and is apparently the only surviving example of a Basso continuo sonata for B-flat clarinet.	10.95
	C249: Five Pieces for Clarinet Alone by William O. Smith. Universal Edition, 1963, SS, 8 pages. A short suite in varying dance like rhythms. The melodic lines are atonal and are frequently characterized by extremely wide interval leaps. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	12.95
	C283: Sonnets for Clarinet and Piano by Melvin Solomon. Southern Music Co., 1979, SS, 36 + 11 pages. Dedicated to Bernard Portnoy. Four movements: Rhapsody, Humoresque, Musette, and Fantasy.	19.95
	C280: Spohr Concerto No. 1 Op. 26 for Clarinet and Piano by Ludwig Spohr edited by Robert Cavally. Southern Music Co., SS, 47 + 16 pages. Brilliant use of the instrument. For advanced performers. Wonderful recital literature and the most popular of the four Spohr concertos.	17.50
	*C255: Stamitz Concerto in B-flat major* Piano Reduction** by Johann Stamitz edited by Walter Lebermann. Schott, 1967, SS, 27 + 8 pages. Solo part is quite demanding technically and requires excellent finger dexterity.	17.95
	C301: Three Intermezzi Op. 13 for Clarinet and Piano by Charles Villier Stanford edited by Colin Bradbury. Chester Music, 1972, SS, 15 + 7 pages. This relatively early work by Stanford (1880) was composed for Francis Galpin. It has great audience appeal and is appropriate for college and professional recitals.	17.95
	C304: Three Pieces for Clarinet Solo by Igor Stravinsky. Revised Edition, 1993, edited by Nicholas Hare. Chester Music, 1993, SS, 7 pages. This edition contains notes on the most significant differences between the manuscript and the first published edition from 1920. One of the most popular 20th century unaccompanied pieces for clarinet. The first two movements call for an A clarinet and the last a B-flat clarinet.	13.95
	C253: Sutermeister Capriccio for Solo Clarinet in A by Heinrich Sutermeister. Schott, 1947, SS, 5 pages. A virtuosic piece featuring changing meters, chromaticism, and some rhythmic complexity. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	9.95
	*C256: Sutermeister Concerto for Clarinet and Orchestra* Piano Reduction** by Heinrich Sutermeister. Schott, 1977, SS, 42 + 17 pages. Mid-twentieth century style with ample dissonance but with a feeling of tonality. Strong dramatic approach makes the style appealing to players and audience alike. Good repertoire for the advanced performer.	34.95
	C257: Sonata in One Movement for Clarinet and Piano by Alexander Tcherepnin. Schott, 1980, SS, 11 + 4 pages. Tcherepnin (1899-1977) wrote this work in 1939.	14.95
	*C242: Tomasi Concerto for Clarinet in B-flat and Orchestra* (Piano Reduction)** by Henri Tomasi. Leduc, 1954, SS, 28 + 12 pages. Written for Ulysse Delécluse. This is a virtuoso concerto requiring facile technique and quick staccato. One of the best twentieth century concertos for use on graduate and professional recitals.	35.15
	C281: Two Snacks for Alonesome Clarinet by Burnet Tuthill. Southern Music Co., 1971, SS. Two short pieces for unaccompanied clarinet. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	2.50
	C282: Weber Concertino Op. 26 for Clarinet and Piano by Carl Maria von Weber revised by Daniel Bonade and David Hite. Southern Music Co., 1961, SS, 11 + 4 pages. A reasonably priced edition of this popular work which includes cues for all the tutti passages. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	7.50
	V04: Three Vocalises by Ralph Vaughan Williams. Oxford University Press, SS, 1960, 7 pages. For soprano voice and B-flat clarinet. In score format with an additional staff showing the clarinet part in concert key. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	10.95

Music Collections (books with works from more than one composer listed by title)

	C165: 16 Grands Solos de Concert for Clarinet and Piano compiled and revised by Daniel Bonade. Southern Music Co., SS & PB, 52 + 147 pages. Solos for clarinet with piano accompaniment. Includes Widor Introduction and Rondo, Messager Solo de Concours, Weber Concertino, and thirteen more. Click on the cover image to view Table of Contents. Use your browser's Back button to return.	32.50
	WW17: 78 Duets for Flute and Clarinet Vol. 1 (1-55) Easy-Medium by Himie Voxman. Rubank, 1960, SS, 72 pages. Adapted from the works of the Bachs, the Mozarts, Boismortier, Dietter, Handel and others. WW18: 78 Duets for Flute and Clarinet Vol. 2 (56-78) Advanced by Himie Voxman. Rubank, 1960, SS, 72 pages. Adapted from the works of Bach, Mozart, Geminiani, Muffat, Qunatz, Rameau, and C. Stamitz.	Vol. 1 8.95 Vol. 2 8.95
	C103: Aria arranged and edited by Richard Stoltzman for clarinet and piano. Carl Fischer, PB, 135 + 48 pages. Based on Stotlzman's popular Aria CD. Includes all pieces from the CD: Je veux vivre, O mio babbino caro, O Dieu! Que de bijoux!, Seguidilla, Flower Song, Gypsy Dance, My Man's Gone Now, Summertime, It Ain't Necessarily So, Quando m'en vo "Musetta's Waltz", Nina's Aria, Che gelida manina, Bell raggio lusinghier, Recitative and Gavotte, Ah pur ce soir ... Je suis Titania, La vita e inferno, Addio del Passato, and Vilja.	29.95
	C208: Clarinet Classics, Solo Clarinet Parts from the Works of the Great Masters. Carl Fischer, 1966, 69 pages. Contains the solo clarinet parts for Ludwig Spohr Concerto No. 1 Op. 26 and Concerto No. 2 Op. 57; Wolfgang Amadeus Mozart Clarinet Concerto Op. 107 K. 622; and Carl Maria von Weber Concertino Po. 26, Concerto No. 1 Op. 73, Concerto No. 2 Op. 74, and Grand Duo Concertant Op. 48.	13.50
	C163: Classical Studies for Clarinet transcribed and edited by Himie Voxman. Rubank, 1948, SS, 72 pages. An outstanding book of exercises based primarily on the works for solo violin and cello of Bach. Additional material is drawn from Bach flute and clavier pieces and three Handel suites for clavier.	6.95
	C091: Collected Chamber Music for Clarinet (Harold Wright Legacy Series) edited by Ethan Sloane. Southern Music Company, PB, 104 pages. The complete clarinet parts from Mozart: Trio in E-flat Major "Kegelstatt" K. 498 and Quintet in A Major K. 581. Beethoven: Septet in E-flat Major Op. 20 and Trio in B-flat Major Op. 11. Weber: Grand Quintet in B-flat Major Op. 34. Schubert: Octet in F Major Op. 166. Schumann: Märchenerzählungen Op. 132. Brahms: Trio in A Minor Op. 114 and Quintet in B Minor Op. 115. This music has printed annotations taking from pencil markings made by Harold Wright on the parts he used to perform these works.	24.95
	G62: The Compleat Klezmer by Henry Sapoznik. Tara Publications, 1987, PB, 80 pages. This book is the definitive Klezmer anthology. It includes a short history of klezmer music, notes and observations on the theory and performance of klezmer music, 33 annotated melodies, a discography and bibliography, resources, and more. Click on the cover image to view the Table of Contents. Use your browser's Back button to return.	19.95
	*C189: Concert and Contest Collection for Bass Clarinet* Bass Clarinet Part by Himie Voxman. Rubank, 1973, SS, 23 pages. This book contains 14 original and transcribed works for bass clarinet and piano. There are pieces here for second to forth year students and possibly beyond. Click on the cover image to view the Table of Contents. Use your browser's Back button to return. C190: Concert and Contest Collection for Bass Clarinet Piano Accompaniment** by Himie Voxman. Rubank, 1973, SS, 60 pages. Piano accompaniment to C189.	C189: 4.95 C190: 6.95
	*C191: Concert and Contest Collection for Clarinet* Clarinet Part by Himie Voxman. Rubank, 1958, SS, 28 pages. This book contains 15 works for b-flat clarinet and piano edited by Voxman from the works of Mozart, Brahms, Schumann, and others. Most of these solos would require at least three to four years of study to play effectively. Click on the cover image to view the Table of Contents. Use your browser's Back button to return. C192: Concert and Contest Collection for Clarinet Piano Accompaniment** by Himie Voxman. Rubank, 1959, SS, 72 pages. Piano accompaniment to C191.	C191: 4.95 C192: 6.95
	G60: Easy Klezmer Tunes by Stacy Phillips. Mel Bay, PB, 2003, 129 pages + CD. This book is for musicians who are new to klezmer but are reasonably proficient. There are 24 tunes (each with a brief explanation) grouped as Khosid'ls and other slowish tunes; Horas; and Freylakhs, Bulgars, and other up-tempo tunes. The book includes melody parts for C instruments (with parts for flute up an octave), b-flat, e-flat, and bass clef instruments. The included CD has each tune played as written and again with some traditional klezmer embellishments.	24.95
	C175: Ensemble Classics for Clarinet Quartet Book 1 by Himie Voxman. Rubank, 1942, SS, 32 pages. Book 1 is for four b-flat clarinets and is printed in score form. The pieces range from those playable by second year students (middle school) to four year students (early high school). Good for introducing the clarinet quartet and working on ensemble techniques. C176: Ensemble Classics for Clarinet Quartet Book 2 by Himie Voxman. Rubank, 1942, SS, 32 pages. Book 2 is for two b-flat clarinets, alto clarinet, and bass clarinet and is printed in score form. The content is different than book 1 but at the same level.	Book 1 5.95 Book 2 5.95
	C205: The Kalmen Opperman Repertoire Collection Volume 1 arranged by Kalmen Opperman. Carl Fischer, 2004, SS, 96 + 40 pages. An unusual collection in several respects, Kalmen Opperman has selected works from Bach, Schubert (Ave Maria), Paganini (Moto Perpetuo), Chopin, and more plus several of his own and arranged them with separate accompaniment parts for piano or guitar. Most of the piano parts do not appear to be very difficult. The guitar parts are notated (no chords or tablature). Click on the cover image to view the Table of Contents. Use your browser's Back button to return.	22.95
	C226: The Kalmen Opperman Repertoire Collection Volume 2 arranged by Kalmen Opperman. Carl Fischer, 2004, SS, 96 + 38 pages. Similar to volume 1, this contains works by Satie, Chopin, Bach, Schubert and Telemann. Difficulty is from grade 2 to 4 with separate accompaniment parts for piano or guitar. Click on the cover image to view the Table of Contents. Use your browser's Back button to return.	22.95
	C241: Klezmer Book, 42 Klezmer Favorites for Clarinet and B-flat instruments edited by Avrahm Galper. Mel Bay, 2004, SS, 44 pages. Includes chords in concert key. Intermediate in difficulty.	9.95
	C227: Mazltov! Jewish-American Wedding Music for Clarinet by Joel Rubin. Schott, 1998, SS, 47 pages. The 16 pieces in this collection are from the repertoire of famed klezmer clarinetist Dave Tarras. However, this book is more than just music. It includes text on American klezmer music, Dave Tarras, modal systems in klezmer music, the klezmer ensemble, klezmer performance practice, and a description of each of the pieces. It also includes a bibliography and discography. These pieces can be played on any treble clef melody instrument (flute, violin, saxophone, trumpet, etc.) although some will need to be played an octave higher than written. English and German text. Click on the cover image to view the pieces as listed in the Table of Contents. Use your browser's Back button to return.	24.95
	C123: Recital Clarinetist selected and edited by Ben Armato. Carl Fischer, SS, 83+32 pages. Includes piano accompaniment. Baerman (atrib. Wagner) Adagio for Clarinet, Cavallini Adagio-Tarantella, Verdi Andante from La Forza del Destino, Weber Introduction Theme and Variations, Schumann Fantasy-Pieces Op. 73, Mouquet Solo de Concours, Rabaud solo de Concours, and Stravinsky Three Pieces for Solo Clarinet.	19.95
	C187: Romantic Period Music for Clarinet arranged by Norman Heim. Mel Bay, 2001, SS, 56 + 24 pages. Music by three familiar composers of this period--Mendelssohn, Schubert, and Schumann--is arranged in this collection for intermediate clarinetists. These 11 pieces are appropriate for recitals and contests performance. Includes piano accompaniment and solo part.	12.95
	C166: Selected Duets for Clarinet Vol. 1 Easy-Medium compiled and edited by Himie Voxman. Rubank, 1947, SS. 72 pages. Equal parts. C167: Selected Duets for Clarinet Vol. 2 Advanced compiled and edited by Himie Voxman. Rubank, 1947, SS. 72 pages. Equal parts.	Vol. 1 8.95 Vol. 2 8.95
	C206: Solos for Clarinet, 35 Repertoire Pieces with Piano Accompaniment compiled and edited by Denise Schmidt. Carl Fischer, 2001, PB, 167 + 70 pages. A relatively new compilation of solos with a mix of transcriptions of familiar classics and clarinet solos. This folio has pieces from Bach, Beethoven, Bizet, Corelli, Gounod, Handle, Satie and others. Also included are classic such as Introduction, Theme and Variations by David and Sonatina by Weber. Many of the works are on state festival lists (grade 2 through 5). Click on the cover image to view the Table of Contents. Use your browser's Back button to return.	19.95
	C130: The Richard Stoltzman Songbook edited by Richard Stoltzman. Carl Fischer, PB, 176+63 pages. Includes piano accompaniment. Pieces by Bill Douglas, Duke Ellington, Richard Rogers and Cole Porter are included as well as The Three Preludes for Piano by George Gershwin, arranged for Clarinet and Piano by Jay Gach. Classical selections include familiar music by J.S. Bach (Siciliano, Air, Largo from Concerto for Harpsichord and Orchestra, BWV1056), Mozart, Fauré and Saint-Saens, and Mr. Stoltzman's transcription of the Three American Pieces by Lukas Foss.	26.95

Studies and Etudes

	C181: 8 Great Studies for Melodic Technique (Huit Grandes Etudes de Technique Melodique) by Giacomo Miluccio. Alphonse Leduc, 1956, SS, 15 pages (page size 10.5 x 16 inches). These studies by the Italian clarinetist Miluccio, feature frequent tempo and meter changes. Moderate to difficult.	17.90
	C182: 10 Modern Studies of Great Difficulty (Dix Études Modernes de Grande Difficulté) by Agostino Gabucci. Alphonse Leduc, 1960, SS, 22 pages (page size 10.5 x 16 inches). While we don't see anything especially modern in these etudes, the difficulty is certainly there.	23.55
	C260: 11 Studies in Karnatic Modes for Clarinet by Eugène Bozza. Alphonse Leduc, 1972, SS, 11 pages. These eleven difficult etudes are based on Karnatic modes which are the foundation of the classical music of Southern India.	15.90
	C179: 12 Etudes for Clarinet (Douze Études pour Clarinette) by Eugène Bozza. Alphonse Leduc, 1953, SS, 15 pages. Etudes by French composer and conductor Eugène Bozza (1905-1991). These etudes are at about the same level as Rose.	17.90
	C150: 12 Etudes for Clarinet by Victor Polatschek. Marks Music Co., 1947, SS, 23 pages. These etudes are designed to develop an even and precise finger technique. Two staccato exercises help achieve synchronization of fingers and tongue.	4.95
	C202: 14 Caprices from Op. 1 by Nicolò Paganini edited by Alamiro Giampieri. Ricordi, 2002, SS, 24 pages. These 14 caprices (plus Moto Perpetuo Op. 11) from the violin works of Paganini should provide a challenge for many clarinetists. They include the wide interval leaps and rapid passages characteristic of virtuoso violin music.	12.95
	C261: 14 Études de Mécanisme by Eugène Bozza. Alphonse Leduc, 1948, SS, 19 pages. Advanced exercises for the development of technique. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	19.85
	C193: 15 Advanced Etudes for Clarinet by Randall Cunningham. Woodwindiana, 1999, SS, 32 pages. These etudes are intended for the advanced clarinet student, high school through university level. They have been written in the tradition and spirit of the Rose etudes and studies. Each etude is in a different major or minor key and emphasizes one or more aspects of playing. This book introduces commonly used alternate fingerings and presents situations in which they should be used.	13.50
	C244: 16 Etudes (Études Modernes) by Paul Jeanjean edited by Jean & David Hite. Southern Music Co., 2003, SS, 64 pages. In addition to the etudes, this book contains a glossary or scales, glossary of chords, glossary of fingerings, and notes on the etudes. Each glossary has direct application to the etudes.	19.95
	C132: 16 Modern Etudes by Paul Jeanjean. Alphonse Leduc, 1951, SS, 44 pages. French title: Seize Études Modernes pour la Clarinette.	40.10
	C177: 16 Modern Etudes for Clarinet Op. 14 by František Zítek edited by Himie Voxman. Rubank, 1966, SS, 35 pages. A relatively advanced set of etudes which feature rapidly changing time signatures and no key signatures.	4.95
	C149: 18 Etudes for the Clarinet by Paul Jeanjean. Alfred Publishing Co., SS, 64 pages. Originally published in 1928, these etudes were intended to prepare the student for the works of the "Modernists." Generally these etudes are more difficult then the standard fare and many are in extended key signatures.	8.95
	C194: 18 Preludes for Clarinet by Randall Cunningham. Woodwindiana, 1999, SS, 32 pages. Features pieces in major and minor keys through four flats and four sharps. They are in a variety of styles and meters and include fingering suggestions. For most students these would be appropriate for the third and forth year of studies.	12.50
	C140: 18 Selected Studies for Alto and Bass Clarinet edited by William E. Rhoads. Etudes taken from the work of Lazurus, Rose, Demnitz, Rode, Baermann, Kietzer, Mazas, Muller, and Capelle. Major and minor keys from 4 flats to 4 sharps. Conservative range.	8.95
	C159: 20 Studies for Clarinet from the Works of Rode arranged by Harry Bettoney. Carl Fischer, 1913, SS, 45 pages. Pierre Rode (1744-1830) was a French violinist. Some courses of study have this after Rose. Keys range from 1 sharp to 4 flats.	8.95
	C200: 20 Studies of Medium Difficulty for Clarinet by Agostino Gabucci. Ricordi, 1942, SS, 25 pages. This book contains 20 interesting etudes primarily in keys to two flats and two sharps. Good practice for meter changes, articulation, and many rhythmic patterns.	14.95
	C201: 21 Caprices for Clarinet by Vincenzo Gambaro edited by Alamiro Giampieri. Ricordi, 2001, SS, 29 pages. These caprices are at approximately the same level as the Rose etudes. Keys to three flats and three sharps.	18.95
	C195: 21 Chalumeau Studies for Clarinet by Randall Cunningham. Woodwindiana, 1999, SS, 25 pages. This book includes studies in both major and minor modes through three sharps and three flats and in a variety of musical forms and styles. It was intended for the composer's middle school students, although several of the studies will challenge the best students at that level. Includes fingering suggestions and a short glossary of musical terms.	11.50
	C141: 21 Foundation Studies for Alto and Bass Clarinet compiled and edited by William E. Rhoads. Etudes taken from the work of Lee, Dotzauer, Buchler, Platti, Schroder, Merck, Kummer, Franchomme, and Duport (several of these have been identified as composers of cello etudes). Keys from 4 flats to 2 sharps. Conservative range.	13.95
	C199: 24 Clarinet Studies for Beginners by Victor Polatschek. Marks Music, 1948, SS, 20 pages. While this book contains a few studies playable by students near the end of their first year of study, most would be more appropriate for second and third year students who are making good progress. Includes studies that emphasize articulation, scales and intervals, and rhythms. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	4.95
	C250: 24 Instructional Duets for Two Clarinets by Joseph Kuffner. Universal Edition, SS, 24 pages. These duets were originally published in 1827 and are progressive in difficulty. Suitable for second and third year students.	16.95
	C104: 24 Varied Scales and Exercises for Clarinet by J.B. Albert, revised by Paul de Ville. Carl Fischer, SS, 24 pages. This book is based on a page of scales and exercises that is repeated in each major and minor key.	9.50
	C296: 24 Virtuosity Studies Op. 51 Book 1 by Robert Stark revised by Giuseppe Garbarino. Ricordi, 1982, SS, 32 pages. The first 12 studies in a wide range of keys and styles. C155: 24 Virtuosity Studies Op. 51 Book 2 by Robert Stark revised by Giuseppe Garbarino. Ricordi, 1982, SS, 31 pages. The last 12 studies along the same lines as the first.	Book 1 12.95 Book 2 22.95
	C152: 30 Caprices for Clarinet by Ernesto Cavallini, edited by Alamiro Giampieri. Ricordi, PB, 66 pages.	14.95
	C046: The 32 Rose Studies: An Analysis and Study Guide by Henry Larsen. Larsen Audiographics, SB, 166 pages. The author studied with Pasquale Cardillo, Rosario Mazzeo, Simeon Bellison, and Arthur Christmann; was the assistant principal clarinet of the Hartford Symphony Orchestra from 1950-78; and a teacher and conductor at the Hartt School from 1950 to 1988. Each of the 32 studies is accompanied by extensive comments and suggestions. The author includes other instructional material independent of the studies including hand position studies and two articles on reeds reprinted from The Clarinet magazine.	29.95
	C082: Rose 32 Etudes for Clarinet by Cyrille Rose edited by Melvin Warner. Carl Fischer, 2002, SS, 40 pages. In this new edition of the 32 Rose Etudes, the editor has drawn on various editions of the 32 Etudes and the Ferling 48 Etudes on which they are based. He has corrected errors in time signatures, notes, articulations, etc. He has not added any breathing, tempo, or other markings not found in the originals.	9.95
	C142: 35 Technical Studies for Alto or Bass Clarinet by William E. Rhoads. Southern Music Co., 1962, SS, 36 pages. A variety of useful exercises for low clarinets including studies on crossing the break, articulation, little fingers, chords, and in various keys.	11.95
	C086: 40 Modern Studies in Rhythm and Interpretation for Solo Clarinet by James Rae. Universal Edition, PB, 38 pages. This book has been written to familiarize the clarinetist with the various rhythms and phrasings encountered in modern music. Each study deals with a particular aspect of rhythmic playing ranging from jazz (swing) and rock to modern classical interpretation. The studies are presented in order of difficulty to enable the player to gauge their progress	11.95
	C097: 40 Progressive Melodies for Clarinet by A.M.R. Barret edited by David Hite. Southern Music Company, SS, 64 pages. This book is based on material from the Complete Method for Oboe by Barret (see the Oboe section for the original). All of the Barret pieces have parts for two clarinets. The book also includes 8 Progressive Exercises by J. Dont and a brief scale study by David Hite.	9.95
	C080: 40 Studies for Clarinet Book 1 by Cyrille Rose edited by Donald E. McCathren. Warner Bros. Publications, SS, 48 pages. Donald E. McCathren has prepared a lesson plan for each study and annotated the studies with fingering recommendations. Studies 1-20. C081: 40 Studies for Clarinet Book 2 by Cyrille Rose edited by Donald E. McCathren. Warner Bros. Publications, SS, 48 pages. Studies 21-40.	Book 1 10.95 Book 2 10.95
	C096: 40 Studies for Clarinet by Cyrille Rose revised and edited by Jean & David Hite. Southern Music Company, SS, 53 pages. In preparing this edition the editors have found many opportunities to enhance the studies by adhering to the original violin notation. This book also includes information on the composers of the original etudes for violin that Rose transcribed and chronology of clarinet teachers and their students beginning with Klose.	14.95
	C083: 48 Studies for Clarinet Book 1 by Alfred Uhl. Schott Musik International, SS, 32 pages. These studies were originally published in 1940. The composer intended them to assist students in becoming familiar with the difficulties peculiar to modern instrumental music. Uhl was assisted by Leopold Wlach of the Vienna Philharmonic Orchestra, who made suggestions and revisions of these studies. Studies 1-24. C084: 48 Studies for Clarinet Book 2 by Alfred Uhl. Schott Musik International, SS, 32 pages. Studies 25-48.	Book 1 14.95 Book 2 14.95
	C105: 60 Rambles for Clarinet by Leon Lester. Carl Fischer, SS, 45 pages. One of the best books of supplemental pieces around. The melodic and rhythmic material in Lester's "rambles" will please not only young 2-3 year students, but adult beginners as well.	9.95
	C085: 100 Studies for Clarinet edited by Gunther Joppig and Stephen Trier. Universal Edition, PB, 74 pages. This book is a collection of classical studies for the clarinet that brings together important examples of clarinet music written for teaching purposes. It is intended for the intermediate student, includes etudes, exercises, and duets and is generally progressive. Composers include: Telemann, Lefevre, Berr, Müller, Klose, Baermann, Lazarus, and many more.	29.95
	C147: Advanced Studies from Julius Weissenborn Adapted for Alto and Bass Clarinets by William E. Rhoads. Southern Music Company, SS, 28 pages. Thirty-four studies adapted from Weissenborn bassoon studies.	10.50
	C146: The Advancing Clarinetist by Leon Lester. Carl Fischer, 1972, SS, 32 pages. "Etudes Freely Adapted from the Masters" such as Weissenborn, Lazarus, etc. Suitable for second or third year students	9.95
	C311: Amazing Studies Clarinet by Howard Harrison. Boosey & Hawkes, 1997, SS, 62 pages. Howard Harrison has collected and arranged 76 pieces for unaccompanied clarinet. They include material drawn from both classical and folk music, with many dances included. Each piece was selected to develop a specific aspect of technique. There is an index to help you find the right study for each technical problem. This book is at the intermediate level. Click on the book to see the full table of contents.	13.50
	C231: Arpeggio Studies Op. 39 by Robert Stark. Billaudot, 2000, SS, 32 pages. Twelve studies covering intervals, triads in wide skips, triads and connecting scale passages, seventh chords and connecting scale passages, and triads and seventh chords.	24.95
	C093: Artistic Studies Book 1 - From the French School edited by David Hite. Southern Music Company, SS, 96 pages. This book contains studies transcribed by Cyrille Rose. They are the 40 Studies, the 32 Etudes, and the 9 Caprices.	12.50
	C094: Artistic Studies Book 2 - From the German School edited by David Hite. Southern Music Company, SS, 96 pages. This book contains studies by Carl Baermann. They are the 16 Studies from the Baermann Method Op. 64, Book 4, and 16 Concert Studies from the Baermann Method, Book 5 (complete), the 32 Etudes, and the 9 Caprices. There are also a high note fingering chart, trill chart, and biographical sketches of Heinrich and Carl Baermann and David Hite.	9.95
	C095: Artistic Studies Book 3 - From the Italian School edited by David Hite. Southern Music Company, SS, 96 pages. The book contains 30 Caprices by Ernesto Cavallini, 4 Studies by Gaetano Labanchi, 7 Etudes-Caprices by Aurelio Magnani, and 5 Caprices by Giovanni Battista Gambaro. It also includes biographical sketches of all of the composers and David Hite.	9.95
	C100: Barret Four Sonatas edited by David Hite. Southern Music Company, SS, 64 pages. A.M.R. Barret Four Sonatas for the Refinement of Musicianship with the accompaniment of a second clarinet (most of the second parts are easier), Delphin Alard Five Melodious Etudes, and Scales in Thirds by David Hite.	9.95
	C170: Bass Clarinet Scale Book by Martin Arnold. Aztecpress, Second Edition 2003, SB, 74 pages. This book was originally developed to assist those with a bass clarinet to low C gain proficiency in the extended range and in bass clef. The second edition, more than double in length, includes all of the original material and adds scales in treble clef for both low C and low E-flat instruments. It contains scales and chords of various types in all keys. It also includes technique exercises to develop fluency in the extended range. Click on the cover for more information from the author's web site.	19.95
	C163: Classical Studies for Clarinet transcribed and edited by Himie Voxman. Rubank, 1948, SS, 72 pages. An outstanding book of exercises based primarily on the works for solo violin and cello of Bach. Additional material is drawn from Bach flute and clavier pieces and three Handel suites for clavier.	6.95
	G61: Complete Method for Rhythmical Articulation by Pasquale Bona translated from the fourth Italian edition by Gustav Saenger. Carl Fischer, SS, 72 pages. This is the treble clef edition. This book is in three parts with the first two intended for vocalists and all three parts for instrumentalists. The exercises and etudes (120 in all) which focus on rhythm (not articulation) are progressively more difficult. Some of the exercises have a few notes below the range of the flute, oboe, and saxophone.	11.95
	G65: Rhythmical Articulation (for bass clef instruments) by Pasquale Bona selected and transcribed by William D. Fitch. Carl Fischer, 1969, SS, 47 pages. The bass clef edition has Parts II and III from the original, 41 etudes. Useful for bassoon, trombone, cello, euphonium, tuba, and bass clarinetist's who want to work on bass clef.	11.50
	C108: Contemporary Chordal Sequences for Clarinet - 276 Technical Studies by Kalmen Opperman. Carl Fischer, SS, 96 pages. Contemporary composers are writing more technical, exotic lines for the clarinet, often because of the various register color changes and the instrument's convenient extended range. The exercises in this book are intended to support and extend the technical expertise of students and professionals required to perform this modern music.	14.95
	G68: Contemporary Rhythm & Meter Duets for Treble Clef Instruments by Elliot Del Borgo. Meredith Music Publications, 1996, SS, 31 pages. Based on the concept of Contemporary Rhythm & Meter Studies, these fourteen, two-page duets make extensive use of metric and rhythmic devices, and harmonic and tonal devices commonly found in 20th Century works. They are ideal for any instrument for developing sight-reading skills as well as recital performance, jury exams, and lesson material.	9.95
	G66: Contemporary Rhythm & Meter Studies for Treble Clef Instruments by Elliot Del Borgo. Meredith Music Publications, 1996, SS, 31 pages. These 28 etudes make extensive use of metric and rhythmic devices found in 20th century works. Composed as recital/performance pieces, all melodic material is derived from a variety of contemporary patterns including synthetic scales, 12-tone and 7-tone rows, cell-derived patterns, modal scales and traditional major and minor tonalities.	9.95
	C169: The Developing Clarinetist, 31 Clarinet Studies by Leon Lester. Theodore Presser, 1978, SS, 32 pages. This book contains 31 intermediate level etudes (2 original) that have been edited by Lester to meet the needs of present day clarinetists. Major and Minor keys to 4 flats and 4 sharps.	8.95
	C144: Etudes for Technical Facility for Alto and Bass Clarinet arranged and compiled by William E. Rhoads. Southern Music Co., 1965, SS, 24 pages. Twenty etudes for the student who has mastered the fundamentals of a correct embouchure and tone production and is now ready to attack the problem of moving the fingers quickly. In the keys of F, C, and G.	8.50
	C131: Foundation Studies for Clarinet (Baermann Book 3) expanded and edited by David Hite. Southern Music Co., SS, 96 pages. David Hite has arranged the scales, arpeggios, and exercises in the Carl Baermann Method for Clarinet Book 3 in order of keys. He has also included some suggested fingerings and additional material.	14.95
	C164: Fundamental Scale and Chord Studies for the Clarinet by Friedrich Demnitz. G. Schirmer, 1947, SS, 31 pages. Scale studies in major and minor keys from 4 flats to 4 sharps. Plus chord studies covering the same keys for a total of 36 exercises.	6.95
	C180: Gammes et Exercices (Scales and Exercises) for the Clarinet by Gaston Hamelin. Alphonse Leduc, SS, 26 pages. This book includes major and minor scales, chromatic scales, rhythmic exercises on major and minor scales, velocity exercises, and arpeggios. The text is in French, English, and Japanese.	23.55
	C162: Hand in Hand with Hanon by Buddy DeFranco. 2002, SB, 208 pages. This is several books in one. The title refers to the famous Hanon piano exercises which Buddy has transcribed for clarinet and rendered in all keys. There are jazz oriented scale and chord studies, blues and blues progressions, and more jazz studies. The book concludes with four jazz pieces including clarinet, piano, bass and drum parts.	19.95
	C139: Intermediate Style Etudes and Technical Exercises for Clarinet by Harry Gee. Southern Music Company, SS, 53 pages. Includes etudes from a variety of sources including Rose, Klose, symphonic literature, and original exercises. Includes 13 duets, a review of fundamentals (fingering and fingering studies), musical glossary, circle of keys, chords, scales, etc.	12.50
	C109: Klosé Daily Exercises arranged by Harry Bettoney. Carl Fischer, SS, 16 pages. Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	6.95
	C110: Klosé Scales and Exercises. Carl Fischer, SS, 13 pages. Subtitled: "On all harmonic formations in the major and minor keys." Free Media Mail shipping on this music to US, IF ordered with another item. (Except other items with free shipping.)	6.95
	C111: Kroepsch 416 Progressive Daily Studies for the Clarinet - Book 1, 167 Exercises. Revised by Simeon Bellison, Carl Fischer, SS, 27 pages. C112: Kroepsch 416 Progressive Daily Studies for the Clarinet - Book 2, 183 Exercises. Revised by Simeon Bellison, Carl Fischer, SS, 29 pages.	Book 1 9.95 Book 2 10.50
	C113: Kroepsch 416 Progressive Daily Studies for the Clarinet - Book 3 40 Exercises. Revised by Simeon Bellison, Carl Fischer, SS, 24 pages. C114: Kroepsch 416 Progressive Daily Studies for the Clarinet - Book 4 26 Exercises. Revised by Simeon Bellison, Carl Fischer, SS, 30 pages.	Book 3 9.95 Book 4 10.95
	C121: Master Studies for the Clarinet, 20 Technical Studies by Kalman Opperman, Carl Fischer, SS, 38 pages. Twenty studies of progressive difficulty suggested for after the Intermediate or Advanced Velocity Studies.	11.95
	C098: Melodious and Progressive Studies, Book 1 edited by David Hite. Southern Music Company, SS, 96 pages. Contains F. Demnitz 18 Expressive Studies based upon scales and 18 Expressive Studies based upon chords, D Nocentini 24 Melodic Studies, C. Baermann 24 Melodic Studies (from Op. 63), and Klose Major and Minor Scales and Scales in Thirds.	12.50
	C099: Melodious and Progressive Studies, Book 2 edited by David Hite. Southern Music Company, SS, 64 pages. This book has Jean Baptiste Gambaro 20 Caprices, 16 Specialized Studies by various composers (including Hubert Ries, Robert Stark, Friederich Berr, Henry Lazarus, etc.), and Jakob Dont 15 Etudes from Op. 37. Note: There is a new printing of this book with a price of $10.50 (identical content). We still have several copies available for $8.95	8.95
	C207: Melodious Etudes for Clarinet compiled and edited by Larry Clark and Sean O'Loughlin. Carl Fischer, 2003, SS, 80 pages. These 54 etudes are a bit different from the familiar since they are based on vocalises of Marco Bordogni (1788-1856). The etudes are in a variety of keys and difficulty levels from perhaps mid-second year through fourth year of study. There are some pieces in keys with three or four flats or sharps that should prove useful to third year students.	12.95
	C070: Modern Daily Studies for the Clarinet - Book One 18 Studies and 3 Etudes by Kalmen Opperman. M. Baron Company, Inc., 1952, SS, 47 pages. The studies are left hand, right hand, chromatic, staccato, grace notes, octaves, and chords (one to four of each). The author also recommends them for practicing transposition.	12.95
	C071: Modern Daily Studies for the Clarinet - Book Two 16 Etudes by Kalmen Opperman. M. Baron Company, Inc., 1961, SS, 24 pages.	9.50
	C072: Modern Daily Studies for the Clarinet - Book Three Intervallic Permutations by Kalmen Opperman. M. Baron Company, Inc., 1976, SS, 61 pages. This book contains 276 exercises which are designed to create heavy demands on the clarinetist's technique and powers of concentration.	13.95
	C196: Petite Pieces for Clarinet by Randall Cunningham. Woodwindiana, 2001, SS, 37 pages. This book of pieces was designed for advanced high school and beginning college level students. It contains 21 pieces in alternating major and minor keys through four sharps and four flats and ends with three dances in C major. There are brief descriptions of each piece giving the form, style, articulation, and playing suggestions.	11.95
	C039: Polychromatic Diversions for Clarinet by Ronald L. Caravan. Ethos Publications, SS, 20 pages. Subtitled: 10 Graded Compositions Using Non-Traditional Techniques. These etudes provide material for the further practice of extended techniques. The book includes notes on each piece, a guide to the fingering diagrams, and an explanation of the markings and symbols used.	15.00
	C188: Practical Study of the Scales for Clarinet by Émile Stiévenard. G. Schirmer Inc., 1909, SS, 49 pages. Scale based exercises for all major and minor keys.	9.95
	C040: Preliminary Exercises & Etudes in Contemporary Techniques for Clarinet by Ronald L. Caravan. Ethos Publications, SS, 44 pages. Dr. Caravan has been a member of the faculty of Syracuse University School of Music since 1980 teaching applied clarinet and saxophone. His Eastman School of Music doctoral dissertation was Extensions of Technique for Clarinet and Saxophone (1974). This book provides a solid introduction to extended clarinet techniques for the advanced student and can be used as material for lessons or self study. This book covers the areas of Timbre Variation, Quarter Tones, and Multiphonics. Each section includes an explanation of the technique, examples, fingering charts (when appropriate), and etudes.	16.50
	C122: The Progressing Clarinetist by Leon Lester. Carl Fischer, SS, 32 pages. Thirty etudes based on the works of Sigmund Hering. Suitable for second/third year students.	9.95
	C151: Selected Studies for Clarinet by Himie Voxman. Rubank, 1942, SS, 76 pages. Etudes (Rose level) drawn from many composers in all major and minor keys, plus scales, scales in thirds, and arpeggios.	6.95
	C148: Studio Progressivo by Gaetano Labanchi edited by Jean and David Hite. Southern Music Company, 2002, SS, 100 pages. This book contains 36 progressive studies by Gaetano Labanchi (1829-1908) from Part 2 of his Metodo Progressivo per Clarinetto which was published in 1886. These studies are representative of the Italiante "bel canto" vocal style. Highly florid, ornate and lyric they require the student to develop a superior, easy command of the instrument. Covering all keys, major and minor, the studies employ the full range of the instrument.	19.95
	C101: Style Etudes and Technical Exercises by Harry Gee. Southern Music Company, SS, 44 pages. Contains etudes edited by the author from the works of Rose, Ferling, Klose and others, a transcription of the Sonata IV for flute by Bach, and some original exercises by the author.	12.50
	C073: Tone, Technique & Staccato by Avrahm Galper. Mel Bay, 2001, SB, 96 pages. This book provides a number of useful exercises along with comments and fingering recommendations by the author. The exercises are presented in a wide variety of keys. Included are low register exercises, transition to the upper register, technique studies using 165 Kroepsch exercises and Klose mechanisms, and staccato exercises.	14.95
	C289: Thurston Passage Studies Book 1 Frederick Thurston. Boosey & Hawkes, 1947, SS, 24 pages. The volume is marked "Easy Studies" and is suitable for second and third year students. Click on the cover image to view the Table of Contents. Use your browser's Back button to return.	13.95
	C290: Thurston Passage Studies Book 2 Frederick Thurston. Boosey & Hawkes, 1947, SS, 27 pages. The volume is marked "Moderately Difficult Studies" and is suitable for fourth year and beyond. Click on the cover image to view the Table of Contents. Use your browser's Back button to return.	18.95
	C240: Upbeate Scales & Arpeggios by Avrahm Galper. Mel Bay, 2004, SS, 72 pages. The scales in this book are based on the Baermann scale studies in Book 3 of the Baermann Method. The scales and arpeggios are arranged by key. The author starts each scale on the upbeat for impetus and melodic direction. Of particular value are the suggested fingerings for many notes, especially in the altissimo.	12.95
	C124: Velocity Studies - Elementary by Kalman Opperman. Carl Fischer, SS, 39 pages. C125: Velocity Studies - Intermediate by Kalman Opperman. Carl Fischer, SS, 45 pages.	C124: 9.95 C125: 9.95
	C126: Velocity Studies - Advanced by Kalman Opperman. Carl Fischer, SS, 48 pages. C127: Velocity Studies - Virtuoso by Kalman Opperman. Carl Fischer, SS, 48 pages.	C126: 9.95 C127: 9.95

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