G077: 10 Easy Jazz Duets (E-flat Instruments) by John La Porta with Greg Nielsen. Warner Bros. Publications, 1996, SS, 23 pages + CD.
14.95
14.95
/
S1236:
10
Jazz Duets (two like saxophones) by Jeff Jarvis. Kendor Music
Inc, 2017, SS, 40 pages in score format. These carefully crafted grade
3-4 jazz duets utilize easy-to-hear harmonies, commonly encountered
jazz rhythms, and occasional metric changes. Interesting material is
provided for both musicians, and this collection is suitable for
practice and performance as well. Click on the cover
image to view a sample page. 13.50
S1237: 10 Jazz
Duets for Alto and Tenor Saxophones by Jeff Jarvis.
Kendor Music Inc, 2017, SS, 40 pages in score format. The same as above
but the keys
have been adjusted to work better as a mixed duet. Click on the cover
image to view a sample page. 13.50
(Except other items with free shipping.)
11.50
G214: 12 Medium-Easy Blues & Funk Etudes for E-flat Instruments (Alto Sax, Baritone Sax) by Bob Mintzer. Belwin Jazz/Alfred, 2010, SS, 56 pages + CD. Edition for E-flat instruments.
G213
19.95
19.95
G214
19.95
G110: 14 Blues & Funk Etudes for B-flat Instruments (Tenor Sax, Soprano Sax, Clarinet) by Bob Mintzer. Warner Bros., 1996, SS, 57 pages + 2 CDs. Written by veteran jazz musician Bob Mintzer, this collection of studies has been composed for musicians who wish to extend themselves in improvisation, composition, sight reading and general musicianship skills. Each etude has a theoretical explanation, suggestions for performance and tips for practice routines. Chord changes are given for most pieces. Two CDs of combo accompaniments performed by members of the Yellowjackets are included.
G111: 14 Blues & Funk Etudes for E-flat Instruments (Alto Sax, Baritone Sax) by Bob Mintzer. Warner Bros., 1996, SS, 57 pages + 2 CDs. Edition for E-flat instruments.
G110
27.95
27.95
G111
26.95
S1241:
101 Saxophone Tips by Eric J. Morones. Hal Leonard,
2004, PB, 53 pages + CD. This book
presents valuable how-to insight that saxophone players of all styles
and levels can benefit from. The text, photos, music, diagrams, and
accompanying CD provide a terrific, easy-to-use resource for a variety
of topics, including: techniques; maintenance; equipment; practicing;
recording; and performance. While many of the tips will be of value to
players of all types of music the examples on the CD are primarily
about the jazz tips. Click on the
cover image to view the table of contents.15.95
S1097: All Funked
Up, 10 Groovin' Tunes and Solos for Alto
Sax by
Ed Harlow. Advance Music, 2014, SS, 31 pages + CD.
original solos for alto saxophone. Precise performance instructions
help to play the lines authentically and improvise on simple chords
(the chords are simple although some of the written out solos are not).
The funky rhythm section provides the right play-along groove. Includes
written out solos with chord symbols and after each piece the chord
changes for the solos separately. The CD includes each track with a
three person rhythm sections both with and without the soloist. Click on the cover
image to view a sample page. 21.95
S052: Berklee Practice Method Alto
Sax by Jim
Odgren &
Bill Pierce. Berklee Press, 2001, PB, 139 pages + CD. This is the
first-ever
method that teaches you how to play in a rock band (develops jazz
skills
as well). Learn what all the great musicians seem to know intuitively,
how to listen, interact and respond, improvise, and become part of the
groove. Developed by the faculty of Berklee College of Music, the book
and play-along CD will help improve your timing, technique, and reading
ability. Become the great player that everyone wants to have in their
band.
Also can be used for baritone sax.14.95
/
S061:
Berklee Practice Method
Tenor Sax by Jim Odgren & Bill Pierce.
Berklee Press,
2001,
PB, 139 pages + CD. Same as above for tenor and soprano sax.14.95
/ S681: Blue
Saxophone Duets by James Rae. Universal Edition,
1996, SS, 10
pages in score format for
alto saxophones with a second part for tenor saxophone. Five original
pieces at or slightly above the mid-intermediate level. There are chord
symbols for both alto and tenor on the tenor part. Four are in jazz
(swing) style at various tempos. The other is funk with straight
eighths. Click
on the cover image to view a page of the music. 14.95
17.95
17.95
17.95
S1240: The Coleman
Hawkins Collection transcribed by Timo Shanko.
Hal Leonard, PB, 63 pages. One of the founding fathers of jazz sax,
Coleman Hawkins blazed the trail for future generations of
saxophonists. This collection features note-for-note tenor sax
transcriptions for 16 highlights from Hawkins' vast repertoire,
including: April in Paris, Body and Soul, Dinah, Epistrophy, Flyin'
Hawk, Honeysuckle Rose, I Mean You, It Never Entered My Mind, The Man I
Love, Mood Indigo, Picasso, Rifftide, Self Portrait (Of the Bean),
Stuffy, You'd Be So Nice to Come Home To, and You've Changed. Includes
chords. While this book was intended for tenor saxophone, it could be
played on any saxophone (there is no piano part). Features a bio and an
updated discography, complete with notes about the recordings (date,
location, players, original issue info, etc.).19.95
19.95
24.95
/
G244:
Constructing Melodic Jazz Improvisation (B-flat Edition
-
Tenor Sax/Clarinet/Trumpet)
by Brian Kane. Jazz Path Music Publishing, 2007, PB, 160 pages + CD.
This book contains detailed
explanations and analysis of the creative and improvisational
techniques musicians use for style, phrasing, solo development, and
motivic improvisation in an easy to follow step-by-step format. Ten
progressively difficult chapters, containing dozens of improvisational
exercises, explore jazz improvisation from creative, melodic and
technical perspectives. The book is designed to meet all of the
national standards and frameworks for music education and is a
comprehensive improvisational curriculum for both individuals and
classes. The book includes a 52 track play-a-long and demonstration CD.
Click
on
the cover image to view the Table of Contents.24.95
/ 
G245: Constructing
Melodic Jazz
Improvisation (E-flat Edition - Alto
Sax/Baritone Sax) by Brian Kane. Jazz Path Music
Publishing,
2007, PB, 160 pages + CD. This book contains detailed
explanations and analysis of the creative and improvisational
techniques musicians use for style, phrasing, solo development, and
motivic improvisation in an easy to follow step-by-step format. Ten
progressively difficult chapters, containing dozens of improvisational
exercises, explore jazz improvisation from creative, melodic and
technical perspectives. The book is designed to meet all of the
national standards and frameworks for music education and is a
comprehensive improvisational curriculum for both individuals and
classes. The book includes a 52 track play-a-long and demonstration CD.
Click
on
the cover image to view the Table of Contents. 24.95
/
S833:
Crossover Pieces for Saxophone by
Peter Lehel. Advance
Music, 2011, PB, 123 pages + CD. This book offers performers on B-flat
saxophones (tenor or soprano) a wide variety of stylistically diverse
solo pieces in popular styles -- hip hop, boogaloo, Latin jazz, funk,
jazz ballad, shuffle blues, bossa nova, bolero, jazz waltz -- along
with comprehensive information about structure, melody, harmony, and
improvisation. These are the authors own compositions, many of which we
have for sale. The text is provided in English and German, and creative
exercises are also provided with each piece to strengthen performance
skills. The CD recording provides both demonstration and
play-along-with-rhythm-section tracks. The author rates the difficulty
level at medium to medium-advanced. (As this is primarily an
instructional book on jazz and pop genres, we have no idea why it has
this title.) Click
of the cover image to view the table of contents and sample pages.29.95
14.95
/ S679: Easy
Blue Saxophone for alto or tenor saxophone and piano
by James
Rae. Universal Edition, 2005, SS, 17 + 8 + 8 pages. Includes piano
score and parts for both alto and tenor saxophone. Eight
original pieces at the lower- and mid-intermediate level. They are in
various
styles with pieces with both swing and straight eighth notes. 18.95
/ S680: Easy
Blue Saxophone Duets by James Rae. Universal
Edition, 2006, SS,
22
pages in score format for alto saxophones with a second part for tenor
saxophone. Fifteen
original pieces at the lower- and mid-intermediate level. They are in
various
styles with pieces with both swing and straight eighth notes. 16.95
S537: Easy Jazz
Conception Alto Saxophone by
Jim
Snidero. Jim
Snidero alto saxophone with rhythm section. Advance
Music,
1999,
SS, 38 pages + CD. This is the entry level book (although the
difficulty level isn't much different from the next book). It has 15
solo etudes for jazz phrasing, interpretation and improvisation. The CD
includes performances
of each piece with the soloist and rhythm section and of the rhythm
section alone. Includes a brief introduction that discusses phrasing
and
ways this book can be used. 22.95
S539: Easy Jazz
Conception Baritone Saxophone by Jim
Snidero. Scott
Robinson baritone saxophone with rhythm section. Advance
Music,
2002,
SS, 38 pages + CD. This is the entry level book. It has 15
solo etudes for jazz phrasing, interpretation and improvisation. The CD
includes
performances
of each piece with the soloist and rhythm section and of the rhythm
section alone. Includes a brief introduction that discusses phrasing
and
ways this book can be used. 22.95
S538: Easy Jazz
Conception Tenor Saxophone by Jim
Snidero. Eric
Alexander tenor saxophone with rhythm section. Advance
Music,
1999,
SS, 38 pages + CD. This is the entry level book. It has 15
solo etudes for jazz phrasing, interpretation and improvisation. The CD
includes
performances
of each piece with the soloist and rhythm section and of the rhythm
section alone. Includes a brief introduction that discusses phrasing
and
ways this book can be used. 20.95
S857: Easy Jazz
Studies Alto Saxophone by
Tilmann Dehnhard. Tilmann
Dehnhard alto saxophone with guitar and bass. Unversal
Edition,
2012, SS, 18 pages + CD. This book contains 10 original compositions
for jazz practice. The CD has the pieces both with and without the
rhythm section and frequently at more than one tempo. Suggested for
those with at least three years of playing experience. The book has a
preface (a brief introduction to jazz style playing) in German, English
and French. Here
is an example of one of the pieces. There is also a faster version on
the CD24.95
15.95
/
S1035: Effective Etudes for Jazz 2 Alto
Sax and Baritone Sax by Mike
Carubia and Jeff Jarvis. Kendor Music, 2014, SS, 45 pages. This
collection of 20 audition/performance etudes is based on the chord
progressions to popular jazz standards (they are identified in the
table of contents), blues, and rhythm changes. The
collection was designed for honors jazz band auditions, solo
evaluations, group lessons, teaching the jazz language and
improvisation, learning standards, and more. Presented sequentially
according to difficulty, the etudes have annotations beneath the staves
identifying phrases and patterns common to the jazz language. Chord
reference charts show users the notes of all chord symbols in each
etude.
MP3 recordings of a professional rhythm section and soloist performing
all the etudes are available for download (here,
you can listen to them also), plus separate accompaniment MP3's without
the soloist.
21.95
S1036: Effective
Etudes for Jazz 2 Tenor Sax by
Mike
Carubia and Jeff Jarvis. Kendor Music, 2014, SS, 45 pages. This
collection of 20 audition/performance etudes is based on the chord
progressions to popular jazz standards (they are identified in the
table of contents), blues, and rhythm changes. The
collection was designed for honors jazz band auditions, solo
evaluations, group lessons, teaching the jazz language and
improvisation, learning standards, and more. Presented sequentially
according to difficulty, the etudes have annotations beneath the staves
identifying phrases and patterns common to the jazz language. Chord
reference charts show users the notes of all chord symbols in each
etude.
MP3 recordings of a professional rhythm section and soloist performing
all the etudes are available for download (here,
you can listen to them also), plus separate accompaniment MP3's without
the soloist.
21.95
17.95
S310: Essential Jazz Lines in the Style of Charlie Parker B-flat Edition by Corey Christiansen. Mel Bay Publications, 2001, SS, 32 pages + CD.
S130
17.95
S31017.95
14.95
S308: Essential Jazz Lines in the Style of John Coltrane E-flat Edition by Corey Christiansen and Kim Bock. Mel Bay Publications, 2002, SS, 55 pages + CD.
S129
19.95
S30819.95
17.95
14.95
or / or
/
or
G260: The Forty Club for wind trio and
rhythm section by Mike
Rossi. Advance Music, 2013, SS, includes parts and score. In
addition to saxophones the first part can be played by other B-flat
instruments and there is a part for C instruments. There is also a
third part for trombone. There is a rhythm section part and the score
can also be
used. This piece was inspired by the composer's 40th birthday. While
written in 4/4, it should have a 12/8 African Jazz Feel. There is a
spot for solos and a written out section that can be used for solos or
played tutti. You can view sample pages and listen to sound
clips here
on the publisher's website. Since this isn't in
our regular line of music we have put this $30.95 piece on sale.21.95
19.95
S1151: Great Tenor Sax Solos compiled and edited
by Tim Price. Hal Leonard, 1995, PB, 112 pages. An outstanding jazz
collection of 24 transcribed solos from some of the world's greatest
tenor sax artists. Includes: Coleman Hawkins: On the Bean, Body And
Soul, and Get Happy; Lester Young: Lester Leaps In (versions 1 and 2)
Tax War Dance, and Indiana (Back Home Again In Indiana); Sonny Rollins:
Paul's Pal, Tenor Madness, Strode Rode, St. Thomas, and Come Gone;
Scott Hamilton: Broadway; Wardell Grey: Relaxin' At The Camarillo; Stan
Getz: Parker 51; Sonny Stitt: Tune Up; Lew Tabackin: Strive For Jive,
Bye Bye Blues, and Let The Tape Roll; Pete Christlieb: I'm Old
Fashioned; Sal Nistico: Fee-Fi-Fo-Fum; John Coltrane: Bye Bye
Blackbird; Pharoah Sanders: Doktor Pitt and Greetings To Idris. Also
includes an introduction and notes about each
piece.18.95
S1045: Groove
Connection Alto Sax (Volume 1) by
Klaus Dickbauer. Universal Edition, 2014, SS, 39 pages + CD. A new
approach! We tend to take up music study, because we enjoy playing our
instrument. Working on scales and arpeggios often seem like drudgery,
so Dickbauer puts them "in context" to make them as enjoyable as
playing for fun. However, this book is much more than just scales. The
Groove
Connection is published for various
instruments, but all are designed to work together in duo, trio, and
larger ensemble enjoyment. While this volume is not focused on jazz,
unlike volume 2, it does include some improvisation. The included CD is
useful for classroom and
individual study. Click on
the cover image to view sample pages from this book. 26.95
S1199: Groove
Connection Alto Sax (Volume 2) by Klaus
Dickbauer. Universal Edition, 2016, SS, 44 pages + CD. Klaus
Dickbauer believes that scales can be fun. His modern approach to
elementary technique can be a highly effective training tool for
developing improvisation skills. In the first volume, Dickbauer covered
major scales, triads, and interval exercises, combined with groovy
beats, in a fresh and contemporary way. He now continues his
well-thought-out approach to scales with a concentration on Dorian,
Mixolydian, pentatonic, and blues scales, the perfect tools for
building first improvisation skills. Methodically sound exercises train
students in patterns and motifs to equip them with a sense of
confidence and an appetite for learning the art of improvisation. Some
of the exercieses have three parts. The CD will be a valuable aid for
learning improvisation. Click on
the cover image to view a sample page from this book. 24.50
S1046: Groove
Connection Tenor Sax (Volume 1) by
Klaus Dickbauer. Universal Edition, 2014, SS, 39 pages + CD. Like S1045
(above)
but for tenor sax. Click on
the cover image to view sample pages from this book. 26.95
S1200: Groove
Connection Tenor Sax (Volume 2) by
Klaus Dickbauer. Universal Edition, 2016, SS, 44 pages + CD. Like S1199
(above)
but for tenor sax. Click
on the cover image to view a sample page from this book. 24.50
(Except other items with free shipping.)
4.95
19.95
/
G255: Improvising and
Soloing
In the Pocket for B-flat Instruments by Richie
Cannata and Sean
J. Kennedy. Carl Fischer, 2013. SS 32
pages + CD. This book contains 9 original play-along leadsheets (in the
styles of Rock, Samba, Bossa Nova, Funk, and Ballads) with melodies and
chords. It has music theory and background on each tune. The CD
includes .wmv video of a discussion of the compositions and play-along
tracks in .mp3 format. For upper intermediate through advanced players. /
G256: Improvising and
Soloing
In the Pocket for E-flat Instruments by Richie
Cannata and Sean
J. Kennedy. Carl Fischer, 2013. SS 32
pages + CD. This book contains 9 original play-along leadsheets (in the
styles of Rock, Samba, Bossa Nova, Funk, and Ballads) with melodies and
chords. It has music theory and background on each tune. The CD
includes .wmv video of a discussion of the compositions and play-along
tracks in .mp3 format. For upper intermediate through advanced players.
S1322: JAMZ, 15 Solos in Modern Styles for
Alto & Baritone Saxophone with downloadable tracks by Jeff
Jarvis.
Kendor Music Inc., 2020, SS, 35 pages. JAMZ is a collection of 15
full-length solos written in contemporary styles including funk,
hip-hop, rock, funk ballad, shuffle and gospel grooves. Appropriate for
individual use or in private lessons, these pieces can be played
unaccompanied or with the provided backing MP3 tracks recorded by
excellent studio musicians. US grades 3-4. Click
on the cover image to view a sample page. 15.95
S1323: JAMZ, 15 Solos in Modern Styles for
Tenor Saxophone with downloadable tracks by Jeff
Jarvis.
Kendor Music Inc., 2020, SS, 35 pages. JAMZ is a collection of 15
full-length solos written in contemporary styles including funk,
hip-hop, rock, funk ballad, shuffle and gospel grooves. Appropriate for
individual use or in private lessons, these pieces can be played
unaccompanied or with the provided backing MP3 tracks recorded by
excellent studio musicians. US grades 3-4. Click
on the cover image to view a sample page. 15.95
S1222:
Basic Jazz Conception for Saxophone by
Lennie Niehaus. Try Publishing Co., 1966, SS. 24 pages + CD. This book
contains 12 easy level jazz exercises and 10 jazz tunes. Designed for
sax but suitable for all instruments. Includes a play-along CD with a
professional musician playing the etudes. Each etude is recorded in 3
keys (for E-flat, B-flat, or C instruments). The E-flat track includes
an Alto Saxophonist playing the etudes. The B-flat track includes a
Tenor Sax
soloist and the C track includes a Jazz Guitarist. All are accompanied
by a nice piano, bass, and drums rhythm section. Each track is stereo
separated (solo instrument, piano, bass, drums on one track - piano,
bass and drums on the other track) so that the soloist can be
eliminated and the student can play along with piano bass and drums. 19.95
S1287:
Intermediate Jazz Conception for Saxophone by
Lennie Niehaus. Try Publishing Co., 1964, SS. 46 pages + CD. This book
has 20 jazz exercises and 25 jazz etudes at the intermediate level. The
CD has all of these pieces played on an alto saxophone. They are
accompanied by a piano, bass, and drums rhythm section. Each track is
stereo and is separated so the saxophonist can play along with the
rhythm section. Click on the cover
image to view a sample etude. 19.95
19.95
/ S540: Jazz Conception, 21 Solo
Etudes Alto Saxophone by Jim
Snidero. Jim
Snidero alto saxophone with rhythm section. Advance
Music, 1996, SS, 48 pages + CD. This is the original book in this
series which
has 21 original jazz etudes with chords. The CD includes performances
of each piece with the soloist and rhythm section on on separate stereo
channels. Can also be used for baritone saxophone.24.95
S541: Jazz Conception,
21 Solo Etudes Tenor
Saxophone by
Jim
Snidero. Walt
Weiskopf tenor saxophone with rhythm section. Advance
Music,
1996,
SS, 48 pages + CD. This is the original book in this series which
has 21 original jazz etudes with chords. The CD includes performances
of each piece with the soloist and rhythm section on on separate stereo
channels. Can also be used for baritone saxophone.19.95
S542: Intermediate
Jazz Conception Alto Sax & Baritone Sax by Jim
Snidero. Jim
Snidero alto saxophone with rhythm section. Advance
Music, 2005, SS, 48 pages + CD. 15 original jazz etudes with chords.
The CD includes
performances of each piece with the soloist and rhythm section and of
the rhythm
section alone. This book has some additional instructional material on
jazz playing. 23.95
S543: Intermediate
Jazz Conception Tenor Sax by Jim
Snidero. Ted
Nash tenor saxophone with rhythm section. Advance Music,
2005, SS, 48 pages + CD. 15 original jazz etudes with chords. The CD
includes
performances of each piece with the soloist and rhythm section and of
the rhythm
section alone. This book has some additional instructional material on
jazz playing. 23.95
18.95
S463: Jazz
Solos for Alto Sax Vol. 1 by Bob Mintzer. Kendor Music, 1995,
SS, 10 pages. This book contains 10
jazz saxophone solos in grades 3 to 6. Swing, funk, jazz waltz, and
Latin
styles are included.
(Except other items with free shipping.)
8.95
S464: Jazz
Solos for Alto Sax Vol. 2 by
Lennie Niehaus. Kendor Music, 2003, SS, 10 pages. This book contains 10
jazz
saxophone solos in grades 2 to 6. These solos are generally more
lyrical than volume 1. Styles are swing, bossa, ballad, Latin, and
waltz.(Except other items with free shipping.)
8.95
S465: Jazz
Solos for Tenor Sax Vol. 1 by
Bob Mintzer. Kendor Music, 1995, SS, 10 pages. This book contains 10
jazz
saxophone solos in grades 3 to 6. Swing, funk, jazz waltz, and Latin
styles are included.
(Except other items with free shipping.)
8.95
S466: Jazz
Solos for Tenor Sax Vol. 2 by
Lennie Niehaus. Kendor Music, 2003, SS, 10 pages. This book contains 10
jazz
saxophone solos in grades 2 to 6. These solos are generally more
lyrical than volume 1. Styles are swing, bossa, ballad, Latin, and
waltz.(Except other items with free shipping.)
8.95
S532: Jazz
Solos for Bari Sax Vol. 2 by
Lennie Niehaus. Kendor Music, 2003, SS, 10 pages. This book contains 10
jazz
saxophone solos in grades 2 to 6. Styles are swing, bossa, ballad,
Latin, and
waltz.(Except other items with free shipping.)
8.95
15.95
19.95
/ S678: Jazz Zone for
Alto or Tenor Saxophone by
James Rae. Universal Edition, 2000, SS, 31 pages + tenor sax part + CD.
Subtitled "An introduction of jazz improvisation for saxophone." A
basic introduction with quite a lot of useful information. The text is
in English, German, and French.27.95
24.95
or
/ or
/ G272:
K.G. Cape Town for wind trio and rhythm section
by Mike Rossi. Advance Music, 2013, SS, includes parts and score. In
addition to saxophones the first part can be played by other B-flat
instruments and there is a part for C instruments. There is also a
third part for trombone and three copies of the rhythm section part.
This piece is dedicated to Kevin Gibson one of
the one of South Africa's greatest drummers who is from Cape Town.
There are open sections for solos and also several short drum breaks.
You can view sample pages here
on the publisher's website. 30.95
S1208:
Modern Saxophone Techniques
by Frank Catalano. Hal Leonard, 2016, PB, 101 pages with online audio
access. Many books present facts, but Modern Saxophone Techniques
teaches the developing player how to learn. The concepts presented will
keep players learning, maturing, and mastering the saxophone. In the
online video, author and virtuoso saxophonist Frank Catalano offers
quick tips on many of the topics covered in the book. “In the Band”
allows saxophonists to play along on six tunes and studies. Topics
include: developing good rhythm; air stream and embouchure; intervals,
melodies and bass lines; fingering charts; tonguing techniques; modern
harmony tips; split-tones and sub-tones; and an extensive set of
exercises in a variety of keys. Here
are more details from the publisher's website.24.95
S1311:
My Song Diary for
alto saxophone by Klaus Dickbauer and Martin
Gasselsberger. Universal Edition, 2019, SS, 21 pages + CD. The book has
12 original jazz compositions and is progressive in difficulty. The
first two pieces are easier than the rest. The authors consider these
pieces to be easy to intermediate. Chord symbols appear throughout. The
CD includes the piano parts and a play along version. Click
on the cover image to view a sample page. 21.50
/
S1152:
Playing on the Changes Tenor or Soprano Saxophone by
Bob Mintzer. Belwin Jazz/Alfred, 2015, 58 pages + DVD. Playing on the
Changes
features 13 jazz etudes through the various chord qualities found in
standards and jazz tunes in all 12 keys. Areas covered include major
7th chords, minor 7th chords, dominant 7th chords (Mixolydian, altered
dominant, and half-whole diminished), minor ii (flat-5) chords, tritone
substitutions, and a variety of progressions using all of the above.
Bob Mintzer has written out etude solos that traverse the changes in a
way that familiarizes you with the sound of each harmonic setting. Each
etude is modeled after ideas---such as melodic and rhythmic patterns
that create continuity---and singable melodies that he recommends using
when improvising through the chord changes.Using the included TNT 2
software, listen to and analyze the etudes, and by removing Mintzer's
saxophone from the mix, you can then practice and play these harmonic
exercises on your own with a stellar rhythm section. The TNT 2 software
allows you to slow down the tempo, too. Click here
to listen to a sample etude. Click
on
the cover image to view the Table of Contents and the first page of the
first etude. 24.95
/ S535: Reading Key Jazz
Rhythms Alto or Baritone Saxophone by Fred Lipsius.
Advance Music, 1996, SS, 68 pages + CD. This is a collection of
24 easy to medium level jazz etudes, and 24 simplified guide tone
versions of the etudes. They are ideal for learning the basic language
of jazz, swing phrasing, and articulation. The guide tone etudes (guide
tones are the essential or defining notes for each given chord type)
are followed by a melodious version as the chord changes might actually
be performed (the rhythms are the same in both versions). On the
accompanying CD the soloist (Fred
Lipsius) demonstrates the 24
melodious etudes together with a professional rhythm section. You can
also improvise along with the play-along tracks using the chord
symbols. So if improvising is new to you and you find yourself getting
lost, you can always return to a guide tone and play rhythmically
around it. Any etude and its corresponding simplified guide tone
version can be played together as a duet (with or without the CD
accompaniment).23.95
9.95
/
PA054:
Sax Classics, Vol. 4
for Alto or Tenor Saxophone. Hal Leonard, 2014, SS, 50
pages plus CD. This book contains eight classic saxophone pieces in a
variety of styles. Chord symbols are included. Since these are
transcriptions they are relatively challenging. The CD has both a demo
track and a play along track. It can be played on a regular CD player
and for PC and Mac users there is a link to
the Amazing Slowdowner Software so you can adjust the recording to any
tempo
without changing pitch. Included are: Boulevard of Broken Dreams,
Harlem Nocturne, Night Train, Peter Gunn, The Pink
Panther, St. Thomas, Tequila, and Yakety Sax.16.95
/
S699:
Saxo Riffs for Alto
or Tenor Saxophone by Gino
Samyn. Billaudot, 2007, SS, 30
pages plus CD. The alto and tenor parts are on facing pages. The
purpose of this book is to give saxophonists practice playing along
with brass sections (synthesized in this caseon the CD). The focus is
on ensemble playing. Funk, rock, swing, and Latin styles are included.
The publisher rates the difficulty at intermediate, 5-6 on
their
9 level scale.41.95
19.95
27.95
16.95
or
/ or
/
or
G261: Scungilli for wind trio and rhythm
section by Mike
Rossi. Advance Music, 2013, SS, includes parts and score. In
addition to saxophones the first part can be played by other B-flat
instruments and there is a part for C instruments. There is also a
third part for trombone and the rhythm section part.
This piece was inspired by the composer's student days in Boston
where Scungilli was often on the menu. It is a Medium Up Sing in
F-sharp
minor. There is an extended open sections for solos in the
middle of the piece..
You can view sample pages and listen to sound clips here
on the publisher's website. Since this isn't in
our regular line of music we have put this $30.95 piece on sale.21.95
35.95
27.95
27.95
24.95