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 C262: Bach 15 Etudes arranged by Ulysse Delécluse. Alphonse Leduc, 1953, SS, 19 pages. Most of these studies are at a moderate difficulty level. |
16.50
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C161: Bach 21 Pieces for Clarinet transcribed by Alamiro Giampieri. Ricordi, SS, 36 pages. Transcribed from Bach's cello and violin work (sources identified). Keys from three flats to three sharps. |
14.95
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C060: Bach for the Clarinet transcribed and edited by Ronald L. Caravan. Ethos Publications. 1998. SS, 68 pages. This book contains selected movements from unaccompanied sonatas, partitas, and suites by J.S. Bach. The works were originally written for violin, cello, or flute. This material has been adapted for clarinet because of its extraordinary potential value for developing phrasing, a sense of style, and overall musicianship. The editor has included an explanation of how these pieces were adapted for a wind instrument. |
15.00
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C210: Bach for the Clarinet Part I transcribed by Eric Simon. G. Schirmer, 1947, SS, 32 + 15 pages. The works by Bach in this book are for clarinet with piano accompaniment. There is a separate clarinet part. The book contains ten Bach chorales, and ten movements selected from Bach works for keyboard (French Suite, Well-Tempered Clavier, etc.) or orchestra. Many of the pieces in this collection are less difficult than those in our other Bach books. |
10.95
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C211: Bach for the Clarinet Part II transcribed by Eric Simon. G. Schirmer, 1947, SS, 33 pages. There are ten works for solo clarinet adapted from Sonatas for unaccompanied violin in this book as well as ten clarinet duets transcribed from works for clavier. |
10.95
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WW10: Johann Sebastian Bach - Six Unaccompanied Suites for Cello transcribed by Julie Ann Giacobassi. Fish Creek Music, SS, 60 pages. While this music was original transcribed for English Horn by Julie Ann Giacobassi, the English Horn player in the San Francisco Symphony, it is also suitable for oboe, clarinet and saxophone. Julie reports, "All the guys in the clarinet section here (Dave Breeden, Luis Baez and Don Carroll) are using it personally and with their students." It is also recommended by Clark Fobes. |
23.95
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B27: Bach Suites for Cello Solo Transcribed for the Bassoon by Arthur Weisberg. Arthur Weisberg, 2002, SB, 67 pages. This book contains the first five of Bach's Six Suites for Solo Cello, among the greatest music ever written for a solo instrument. (The sixth was not included because of extensive use of double stops and range issues.) The transcriber provides notes on tempos, grace notes, breaths, dynamics, vibrato, trills, and repeats. While this book is well printed and easy to read, there are some pasted-in corrections. Suggested for bass clarinetists who wish to work on bass clef. Many of the pieces are playable with a low e-flat instrument and virtually all with a low c bass clarinet. |
31.95
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C271: Divertimento for Clarinet and Piano by Carl Baermann edited by Sidney Forrest. Southern Music Co., 1988, SS, 11 + 3 pages. The publisher lists this as grade 3 (out of 6). It might be a bit more difficult.
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6.50
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C272: Air Varié Op. 12 No. 2 by Heinrich Baermann edited by H. Voxman and R.P. Block. Southern Music Co., 1991, SS, 12 + 4 pages. For clarinet and piano. A florid finish for this theme and variations.
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5.95
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C216: Adagio by Heinrich Baermann arranged for clarinet and piano by David Hite. Southern Music Co., 1991, SS, 6 + 2 pages. Originally for clarinet and string quartet, this piece was attributed to Richard Wagner when it was discovered in 1922. In 1964, Hans-Georg Bach revealed that it was actually the middle movement of Baermann's Clarinet Quintet, Op. 23.
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5.95
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C258: Baermann Concerto (Quintet) for Clarinet in E-flat major Op. 23 Piano Reduction by Heinrich Baermann edited by Harald Strebel. Schott, 1986, SS, 37 + 10 pages. This is the source of the famous Adagio shown above. The existence of ad libitum horn parts for the first and last of the three movements suggest that it can be performed either as a concerto or a quintet. |
14.95
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C263: Chant Slave by J. Ed. Barat. Alphonse Leduc, 1958, SS, 4 + 2 pages. For clarinet in b-flat and piano. Early high school level. Often found on festival lists.
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11.30
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C100: Barret Four Sonatas edited by David Hite. Southern Music Company, SS, 64 pages. A.M.R. Barret Four Sonatas for the Refinement of Musicianship with the accompaniment of a second clarinet (most of the second parts are easier), Delphin Alard Five Melodious Etudes, and Scales in Thirds by David Hite. |
9.95
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C247: Conversations for Two Clarinets by Richard Rodney Bennett. Universal Edition, 1965, SS, 7 pages. In score format. Should be within the capabilities of many high school clarinetists.
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10.95
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C248: Crosstalk by Richard Rodney Bennett. Universal Edition, 1967, SS, 7 pages. For two clarinets in B-flat. In score format. Frequent meter changes make this piece more difficult than Conversations for Two Clarinets.
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8.95
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C297: Sonatina for Clarinet Solo by Richard Rodney Bennett. Novello, 1981, SS, 7 pages. Three movement work dedicated to Angela Morley.
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8.95
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C251: Four Pieces for Clarinet and Piano by Alban Berg. Universal Edition, 1924, SS, 10 + 10 pages. Two complete parts in score format. Dr Heim wrote that this piece has a certain romanticism mixed with its atonality and is probably the best work in the repertoire in this style of writing. The clarinet part has flutter-tonguing and is rhythmically difficult.
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19.95
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C298: Three Pieces for Clarinet Solo by Lennox Berkeley edited by Thea King. Chester Music, 1983, SS, 4 pages. The composer calls for Clarinet in A.
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11.95
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C295: Sonata for Clarinet and Piano by Leonard Bernstein. Boosey & Hawkes, 1943, SS, 20 + 7 pages. Written for David Oppenheim, this was Bernstein's first published work. College level.
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19.95
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C264: Aria for Clarinet in B-flat and Piano by Eugene Bozza. Alphonse Leduc, 1936, SS, 3 + 1 pages. Brief high school level piece.
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9.90
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C265: Caprice-Improvisation for Clarinet in B-flat and Piano by Eugene Bozza. Alphonse Leduc, 1963, SS, 9 + 4 pages. Advanced college/professional level. |
15.90
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C266: Fantaisie Italienne for Clarinet and Piano by Eugene Bozza. Alphonse Leduc, 1939, SS, 8 + 3 pages. A sectional, one-movement work, beginning with a cadenza, followed by a quiet 6/8 section, and ending with a brilliant Allegro. An excellent recital piece for a college level recital. |
15.90
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C186: Music of Brahms for Clarinet arranged by Norman Heim. Mel Bay, 2000, SS, 54 + 23 pages. Intermediate level solos from the keyboard and solo song literature of Brahms. The music presented here is of high quality and gives the intermediate clarinetist interesting literature to perform for contest or recitals. Includes piano accompaniment and a separate pull-out solo part. |
11.95
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C137: Brahms Sonata Op. 120, No. 1 for Clarinet and Piano (Harold Wright Legacy Series) edited by Ethan Sloane and Ruth Wright. Southern Music Company, SS, 40 + 12 pages. Includes notes from Harold Wright’s copy of this work.
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19.95
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C138: Brahms Sonata Op. 120, No. 2 for Clarinet and Piano (Harold Wright Legacy Series) edited by Ethan Sloane and Ruth Wright. Southern Music Company, SS, 32 + 11 pages. Includes notes from Harold Wright’s copy of this work.
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19.95
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C254: Burgmüller Duo for Clarinet and Piano in E-flat major by Norbert Burgmüller edited by Walter Lebermann. Schott, 1970, SS, 15 + 7 pages. Burgmüller was born into a musical family, studied with Spohr among others and was friends with Mendelssohn. The clarinet Duo dates from 1834, near the end of his short life (1810-1836).
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14.95
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V02: Three Emily Dickinson Songs by Martin Butler. Oxford University Press, 1987, SS, 16 pages. This piece for soprano, clarinet, and piano was composed and first performed in 1985. It approximately 9 minutes long and is in score format. This piece requires mature performers. |
16.95
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C269: Variations sur un air du Pays d'Oc for Clarinet and Orchestra or Piano by Louis Cahuzac. Alphonse Leduc, 1953, SS, 12 + 7 pages. This is the edition with piano accompaniment. Upper division college level.
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19.85
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C299: Sonata in B Flat for Clarinet and Piano by Arnold Cooke. Novello, 1962, SS, 43 + 12 pages. This four movement work is beautifully written for both instruments in chamber music style.The music has drive and interest for performer and listener and is an excellent recital piece for college level students and more advanced performers.
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21.95
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C291: Concerto for Clarinet and String Orchestra by Aaron Copland. Boosey & Hawkes, 1950, SS, 27 + 11 pages. This is the piano reduction by the composer. Written for Benny Goodman and some portions show a jazz influence. A one movement work with several sections and an extended cadenza. |
18.50
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C277: Concerto for Clarinet in B-flat major No. 3 Op. 11 by Bernhard Crusell edited by David Hite with piano reduction by Jean Knox. Southern Music Company, 1989, SS, 47 + 15 pages. May be the best work written by Crusell and is excellent recital repertoire for the professional and advanced college students. |
19.95
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C285: Premiere Rhapsodie for Clarinet and Orchestra (Piano Reduction) by Claude Debussy. Durand, 1910, SS, 17 + 4 pages. One of the standards of the clarinet repertoire. Beautiful in the slow sections and brilliant in the fast part. An advanced work for both performers.
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12.95
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C267: Coïncidence for Clarinet in B-flat and Piano by Pierre Max Dubois. Alphonse Leduc, 1977, SS, 14 + 7 pages. This was the contest piece for the Conservatoire National Supérieur de Musique for 1977.
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20.90
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C268: Sonata Brève for Clarinet in B-flat by Pierre Max Dubois. Alphonse Leduc, 1965, SS, 7 pages. An unaccompanied, college level piece.
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11.30
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C293: Phantasy Suite Op. 91 by Thomas Dunhill. Boosey & Hawkes, 1941, SS, 18 + 7 pages. For clarinet and piano. Prof. Heim wrote: A six-movement work in conservative English style; well written. Excellent work for college student (beginning). Grade 4.
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14.50
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 C215: Ballade for Clarinet, Harp and String Orchestra by Eric Ewazen, edition for clarinet and piano by the composer. Southern Music Co., 2003, SS, 27 + 7 pages. This piece was composed in 1986 for Jean Kopperud. Ballade was inspired by balmy sunny weather on the shore of the Chesapeake Bay. The orchestral version is available as a rental from the publisher. |
12.50
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C286: Four Short Pieces for Clarinet and Piano by Howard Ferguson. Boosey & Hawkes, 1937, SS, 11 + 4 pages. This work by British composer Ferguson (1908-1999) is typical of several small pieces that have proved popular with professional and amateur alike, and are well within the range of the average player. Four movements: Prelude, Scherzo, Pastoral, and Burlesque.
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9.50
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C287: Clarinet Concerto Op. 31 for Clarinet and String Orchestra (Piano Reduction) by Gerald Finzi. Boosey & Hawkes, 1951, SS, 34 + 10 pages. An excellent mid-twentieth century work with beautiful melodies, yet much chromaticism.
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27.95
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C288: Five Bagatelles Op. 23 for Clarinet and Piano by Gerald Finzi. Boosey & Hawkes, 1945, SS, 21 + 8 pages. Wonderful writing for clarinet. The first four movements should be with in the capabilities of a good high school clarinetist, with the final movement presenting more of a challenge.
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12.50
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C278: A Joyous Lament for a Gilly Flower for Clarinet and Piano by Margaret Garwood. Southern Music Co., 1983, 11 + 5 pages. Frequent meter changes. Range to altissimo F sharp. |
7.50
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C276: Three Bagatelles for Clarinet Solo by Arsenio Giron. Southern Music Co., 1987, 4 pages. Dedicated to Robert Riseling. Publisher's grade 4.
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2.95
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C270: Lamento et Tarentelle for Clarinet and Piano by Gabriel Grovlez. Alphonse Leduc, 1923, SS, 8 + 3 pages. This was the contest piece for the Conservatoire National de Musique de Paris for 1923.
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16.50
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C284: Sonata for Clarinet and Piano by Paul Harvey. Southern Music Co., 1981, 31 + 12 pages. Dedicated to James Gillespie. |
15.95
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C292: Sonatina for Clarinet and Piano by Bernhard Heiden. Associated Music Publishers Inc., 1957, SS, 17 + 6 pages. Bernhard Heiden (1910-2000) was born in Germany and studied composition with Hindemith who strongly influenced his work. He lived in the United States from 1935 onward and is primarily associated with the Indiana University School of Music where he taught composition for many years. The Sonatina is a three movement work: Con moto, Andante, and Vivace ma non troppo. |
16.95
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C217: Sonate for Clarinet and Piano by Paul Hindemith. Schott, 1940, SS, 28 + 10 pages. Professor Norman Heim wrote that this work is a modal for sonata writing with good balance between the clarinet and piano and that it is an excellent work for all clarinetists beginning at the high school level.
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19.95
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C294: Sonatine for Clarinet in A and Piano by Arthur Honegger. Salabert, 1925, SS, 11 + 4 pages. One of the great standards of the literature. A three-movement work, with the third movement highly influenced by the jazz idiom. Grade 5.
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11.95
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C302: Sonatina for Clarinet and Piano by Joseph Horovitz. Novello, 1982, SS, 24 + 9 pages. This piece was written in 1981 for Gervase de Peyer who has been a fellow music student of the composer many years before. The Sonatina is a lighthearted work in three movements. It is tonal and melodically and rhythmically influenced by jazz and other popular music. It calls for equal virtuosity from both players.
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21.95
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C305: Five Pieces for Clarinet (unaccompanied) by Gordon Jacob. Oxford University Press, 1973, 7 pages. The title on the cover is Five Pieces for Solo Clarinet. Dedicated to Georgina Dobree. Five movements: Preamble, Waltz, Homage to J.S.B., Soliloquy, and Scherzo and Trio. An interesting and challenging piece for advanced high school and college level students.
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8.95
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C279: Scherzo Brillante for Clarinet and Piano by Paul Jeanjean revised by Daniel Bonade. Southern Music Co., SS, 15 + 4 pages. In one movement with several sections. Requires great technical facility and interval flexibility. |
6.95
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V03: Hymn to the Seasons by Robert Sherlaw Johnson with words by David Whitter. Oxford University Press, 1997, SS, 28 + 11 pages. This piece for soprano, clarinet, and piano was composed in 1990 and is approximately 14 minutes long. Separate clarinet part. This piece requires mature performers. |
24.95
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C273: Concerto in E-flat Op. 36 for B-flat Clarinet & Orchestra (Piano) by Franz Krommer edited by Bernard Portnoy. Southern Music Co., 1988, SS, 31 + 14 pages. This is the piano reduction. A college level concerto. This composer is also known as "Kramer-Krommer."
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17.95
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C306: Dancing Solo for solo clarinet by Libby Larsen. Oxford University Press, 1994, SS, 12 pages. Commissioned and premiered by Caroline Hartig. The composer wrote, "Dancing alone—improvising with the shadows, the air, on an inner beat, upon a fleeting feeling—has always enthralled me. In Dancing Solo I am making a dance for the clarinet, a dance composed of color, rhythm, beat implied and explicit, and breath: the music is the dance and the dance is the music."
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12.95
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C212: Fantaisie-Caprice for Clarinet and Piano by Charles Lefebvre revised by Daniel Bonade. Southern Music Co., SS, 11 + 4 pages.
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6.95
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C300: Dance Preludes for Clarinet and Piano by Witold Lutoslawski. Chester Music, 1972, SS, 19 + 7 pages. An extremely entertaining, but challenging piece. College level.
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21.95
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C274: First Fantaisie for Clarinet and Piano by Georges Marty revised by Daniel Bonade. Southern Music Co., SS, 12 + 5 pages. The Paris National Conservatory contest piece written for 1897.
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7.95
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C307: Sonatina for Clarinet and Piano Op. 3 by William Mathias. Oxford University Press, 1978, SS, 12 + 4 pages. Composed in 1956 and revised in 1976, this piece is dedicated to John Davies and Else Cross who gave the first public and broadcast performances. Three movements Allegretto, Lento molto cantabile, and Allegro. College level repertoire. |
14.95
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C245: Mendelssohn Sonata in E-flat major for Clarinet and Piano by Felix Mendelssohn Bartholdy edited by Gerhard Allroggen. Baerenreiter, 1987, SS, 38 + 8 pages. This early work by Mendelssohn is presented with notes on the editing. This piece is suitable for third or fourth year students.
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17.95
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C213: Solo de Concours for Clarinet and Piano by Andre Messager edited by Daniel Bonade. Southern Music Co., SS, 8 + 3 pages. The Paris National Conservatory contest piece written for 1899.
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5.95
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C235: Meyerbeer Quintet for Clarinet and String Quartet edited by Dieter Klöcker. Baerenreiter (BA 8731), 2001, SS. Includes score and performance parts. This quartet was found in the papers of the great-granddaughter of Heinrich Baermann. While not an autograph, the copy was inscribed in the hand of Carl Baermann that it had been composed by Giacomo Meyerbeer for his father. Editing is noted in the score or in a "Critical Report" which follows. |
24.95
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C246: Molique Concertino in F minor for Clarinet and Orchestra (Piano Reduction) by Bernhard Molique edited by Jost Michaels. Baerenreiter, 1970, SS, 36 + 8 pages. This piece is an effective blend of Classical and Romantic styles. Range is moderate but technical parts required a fairly advanced performer. |
15.95
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C232: Mozart Clarinet Concerto in A Major KV 622 Piano Reduction edited by Franz Giegling with piano reduction by Martin Schelhaas. Baerenreiter (BA 4773a), 2003, SS, 43 + 15 + 15 pages. This edition contains solo parts for clarinet (in A) or basset clarinet (in A). It is based on the urtext edition in the Neue Mozart-Ausgabe. It has a new easy to play keyboard reduction and first movement fermata embellishments from early 19th century sources.
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18.95
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C092: Mozart Clarinet Concerto K. 622 (Harold Wright Legacy Series) edited by Ethan Sloane and Ruth Wright. Southern Music Company, SS, 48 + 25 pages. Includes piano reduction and notes from Harold Wright’s copy of this work. |
24.95
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C185: Mozart for Clarinet arranged by Norman Heim. Mel Bay, 1996, SS, 68 + 29 pages. Intermediate level solos from Mozart concertos and other works. Selections include: Romanze from Concerto No. 3 for Horn and Orchestra, Alleluia from Exsultate, Jubilate, Andante in E-flat Major for keyboard, and more. Includes piano accompaniment. |
12.95
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C233: Mozart Trio in E-flat major for Clarinet, Viola and Piano KV 498 (Kegelstatt Trio) edited by Wofgang Plath and Wofgang Rehm. Baerenreiter (BA 5325), 1966 revised 1987, SS. From the Neue Mozart-Ausgabe with a preface and editorial note in Germany and English. Includes a violin part as an alternate to the clarinet.
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14.95
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C234: Mozart Quintet in A major for Clarinet and String Quartet KV 581 Performance Parts edited by Ernst Fritz Schmid. Baerenreiter (BA 4711), 1958. Urtext edition from the Neue Mozart-Ausgabe.
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16.95
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C275: Two Pieces for Solo Clarinet by Koh Okumura. Southern Music Co., 1988, SS, 4 pages. Based on the Japanese folk song music Min-yo.
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3.00
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C197: Duets for Two Clarinets (No. 1) by Ignace Pleyel arranged and edited by David Glazer. Oxford University Press, 1966, 16 pages. The editor created this and the following volume to provide (beginning) students with less difficult music from the 18th and early 19th centuries. These pieces are from the 6 Little Duets for Violin, Op. 8, Nos. 1 and 2. They are suitable for second year students with a range to B above the staff. The parts are equal and primarily in the keys of C and G, with one page of B-flat.
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3.95
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C198: Duets for Two Clarinets (No. 2) by Ignace Pleyel arranged and edited by David Glazer. Oxford University Press, 1969, 23 pages. These pieces are from the Duets for Violin, Op. 8, No. 4 and Op., 59 Nos. 4 and 1. These duets are more difficult than the previous volume and are probably suitable for third year students who can play in the altissimo (up to F) and handle more complex rhythms. |
7.95
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C303: Sonata for Clarinet and Piano by Francis Poulenc. Revised edition, 2000, edited by Millan Sachania. Chester Music, 2000, SS, 24 + 11 pages. Three movements: Allegro Tristamente, Romanza, and Allegro con fuoco. Prof. Heim wrote: "Fast parts are bright and happy, and slow sections are romantic, impressionistic, and beautiful. One of the best pieces in the repertoire and can be played by an excellent high school student."
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19.95
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C214: Solo de Concours for Clarinet and Piano by Henri Rabaud. Southern Music Co., SS, 9 + 4 pages. The Paris National Conservatory contest piece written for 1901.
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5.95
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C218: Sonate Op 167 for Clarinet and Piano by Camille Saint-Saëns. Durand, 1921, SS, 23 + 10 pages. Prof. Heim wrote that this is beautiful writing for clarinet with the piano primarily in accompanying role and that it is good recital literature for clarinetists from high school through professional level.
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16.95
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V01: The Shepherd on the Rock (Der Hirt auf dem Felsen) by Franz Schubert. G. Schirmer, SS. For high voice and piano with clarinet (flute or violin) obbligato. This edition has the original words and an English translation.
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3.95
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C259: Sonata for Clarinet (Flute, Oboe) and Basso continuo in B-flat major by Gregorio Sciroli edited by Nikolaus Delius with Basso continuo realized by Hugo Ruf. Schott, 1990, SS. This piece includes parts for clarinet, an alternative oboe or flute part, a Basso continuo part for cello, and a score that includes an accompaniment part suitable for keyboard. This piece is one of the few examples of clarinet music of the 18th century in Italy and is apparently the only surviving example of a Basso continuo sonata for B-flat clarinet. |
10.95
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C249: Five Pieces for Clarinet Alone by William O. Smith. Universal Edition, 1963, SS, 8 pages. A short suite in varying dance like rhythms. The melodic lines are atonal and are frequently characterized by extremely wide interval leaps.
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12.95
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C283: Sonnets for Clarinet and Piano by Melvin Solomon. Southern Music Co., 1979, SS, 36 + 11 pages. Dedicated to Bernard Portnoy. Four movements: Rhapsody, Humoresque, Musette, and Fantasy. |
19.95
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C280: Spohr Concerto No. 1 Op. 26 for Clarinet and Piano by Ludwig Spohr edited by Robert Cavally. Southern Music Co., SS, 47 + 16 pages. Brilliant use of the instrument. For advanced performers. Wonderful recital literature and the most popular of the four Spohr concertos.
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17.50
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C255: Stamitz Concerto in B-flat major Piano Reduction by Johann Stamitz edited by Walter Lebermann. Schott, 1967, SS, 27 + 8 pages. Solo part is quite demanding technically and requires excellent finger dexterity.
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17.95
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C301: Three Intermezzi Op. 13 for Clarinet and Piano by Charles Villier Stanford edited by Colin Bradbury. Chester Music, 1972, SS, 15 + 7 pages. This relatively early work by Stanford (1880) was composed for Francis Galpin. It has great audience appeal and is appropriate for college and professional recitals. |
17.95
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C304: Three Pieces for Clarinet Solo by Igor Stravinsky. Revised Edition, 1993, edited by Nicholas Hare. Chester Music, 1993, SS, 7 pages. This edition contains notes on the most significant differences between the manuscript and the first published edition from 1920. One of the most popular 20th century unaccompanied pieces for clarinet. The first two movements call for an A clarinet and the last a B-flat clarinet.
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13.95
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C253: Sutermeister Capriccio for Solo Clarinet in A by Heinrich Sutermeister. Schott, 1947, SS, 5 pages. A virtuosic piece featuring changing meters, chromaticism, and some rhythmic complexity.
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9.95
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C256: Sutermeister Concerto for Clarinet and Orchestra Piano Reduction by Heinrich Sutermeister. Schott, 1977, SS, 42 + 17 pages. Mid-twentieth century style with ample dissonance but with a feeling of tonality. Strong dramatic approach makes the style appealing to players and audience alike. Good repertoire for the advanced performer. |
34.95
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C257: Sonata in One Movement for Clarinet and Piano by Alexander Tcherepnin. Schott, 1980, SS, 11 + 4 pages. Tcherepnin (1899-1977) wrote this work in 1939. |
14.95
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C242: Tomasi Concerto for Clarinet in B-flat and Orchestra (Piano Reduction) by Henri Tomasi. Leduc, 1954, SS, 28 + 12 pages. Written for Ulysse Delécluse. This is a virtuoso concerto requiring facile technique and quick staccato. One of the best twentieth century concertos for use on graduate and professional recitals. |
35.15
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C281: Two Snacks for Alonesome Clarinet by Burnet Tuthill. Southern Music Co., 1971, SS. Two short pieces for unaccompanied clarinet.
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2.50
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C282: Weber Concertino Op. 26 for Clarinet and Piano by Carl Maria von Weber revised by Daniel Bonade and David Hite. Southern Music Co., 1961, SS, 11 + 4 pages. A reasonably priced edition of this popular work which includes cues for all the tutti passages.
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7.50
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V04: Three Vocalises by Ralph Vaughan Williams. Oxford University Press, SS, 1960, 7 pages. For soprano voice and B-flat clarinet. In score format with an additional staff showing the clarinet part in concert key.
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10.95
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